| 摘要 | 第1-6页 |
| Abstract | 第6-10页 |
| Introduction | 第10-20页 |
| Chapter 1 Metafiction and the Metafictional Narrative Strategies | 第20-42页 |
| ·Metafiction | 第20-29页 |
| ·Various Definitions of Metafiction | 第21-27页 |
| ·The Relationship Between Metafiction and Postmodernism | 第27-29页 |
| ·The Metafictional Narrative Strategies | 第29-42页 |
| ·The Strategy of Exposing the Narrative Fictionality | 第30-34页 |
| ·The Strategy of Breaking the Frame of Fictional Text | 第34-42页 |
| Chapter 2 Metafictional Narrative Strategies Employed in Under Western Eyes | 第42-66页 |
| ·The Demonstration of a Typical Metafictional Frame | 第42-51页 |
| ·The Application of Chinese-Box Narrative Structure | 第43-47页 |
| ·The Application of Multiple Narrative Perspectives | 第47-51页 |
| ·The Employment of Double Narration | 第51-59页 |
| ·The Double Narration | 第52-56页 |
| ·The Application of Doubling Devices | 第56-59页 |
| ·The Employment of Intertextual Techniques | 第59-66页 |
| ·The Definition of Intertextuality | 第59-61页 |
| ·The Literary References | 第61-66页 |
| Chapter 3 The Aesthetic Interpretation of Under Western Eyes as Metafiction | 第66-78页 |
| ·The Manifestation of Conrad's Artistic Self-Consciousness | 第66-73页 |
| ·The Reflection of Conrad's Skepticism to Truth and Language | 第73-78页 |
| Conclusion | 第78-80页 |
| Bibliography | 第80-86页 |
| Acknowledgements | 第86-88页 |
