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后现代复调世界视野中的《凶年纪事》

Acknowledgements第5-8页
Abstract第8-10页
中文摘要第11-13页
Chapter Ⅰ Introduction第13-34页
    1.1 Biographical Introduction to J.M.Coetzee第14-16页
    1.2 Introduction to Diary of a Bad Year第16-19页
    1.3 Links between Polyphony and Coetzee’s Creative Thoughts第19-30页
    1.4 The Links between Postmodernism and J.M.Coetzee第30-33页
    1.5 Research Question and the Critical Theory Adopted inthis Research第33-34页
Chapter Ⅱ Literature Review第34-45页
    2.1 Commentaries from the Western World第34-39页
    2.2 Critical Responses in China第39-43页
    2.3 Significance of My Studies第43-45页
Chapter Ⅲ Theoretical Framework & Critical Approach第45-51页
    3.1 Introduction to Bakhtin第45-49页
    3.2 Key Concepts and Terminology第49-51页
Chapter Ⅳ Dialogic Reading of Diary of a Bad Year第51-95页
    4.1 Great Dialogues第52-84页
        4.1.1 Great Dialogues among the Characters第53-72页
            4.1.2.1 Great Dialogue between Senior C and Anya第54-61页
            4.1.2.2 Great Dialogue between Anya and Alan第61-67页
            4.1.2.3 Great Dialogue between Alan and Senior C第67-72页
        4.1.2 Great Dialogue Between J.M.Coetzee and Senior C第72-79页
        4.1.3 Great Dialogue on the Realities Written by the White’s Writing with the Black’s Presence第79-84页
    4.2 Micro-Dialogue第84-95页
        4.2.1 Senior C’s Discourse第86-90页
        4.2.2 Anya’s Discourse第90-95页
Chapter Ⅴ Indeterminacy in Diary of a Bad Year第95-114页
    5.1 The Indeterminate Genre第96-102页
    5.2 The Indeterminate Text Structure第102-104页
    5.3 The Indeterminate Plot第104-107页
    5.4 The Indeterminate Themes第107-110页
    5.5 The Indeterminate Constructing of Characters第110-114页
Chapter Ⅷ Conclusion第114-116页
References第116-122页
攻读学位期间发表的学术论文和研究成果第122页

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