| Acknowledgements | 第1-6页 |
| 英文摘要 | 第6-16页 |
| Introduction | 第16-34页 |
| Chapter One Revising the Afro-American and Jewish-American Aesthetic Tradition | 第34-73页 |
| Ⅰ． Black Aesthetic and Ishmael Reed's ”True Afro-American Aesthetic” | 第35-54页 |
| Ⅱ． From Newark to Prague:Roth's Journey East and Theme of Transgression | 第54-73页 |
| Chapter Two Revisiting Afro-American and Jewish-American History | 第73-97页 |
| Ⅰ． Ishmael Reed's Revisioning of History | 第74-85页 |
| Ⅱ． Philip Roth's Historical Fantasy | 第85-97页 |
| Chapter Three Searching for the Alienated Self and Masculinity in a Feminist Aura | 第97-140页 |
| Ⅰ． Misogyny as a Historical Symptom for Ishmael Reed | 第99-116页 |
| Ⅱ． Return to the Body and the Masculine Subject in Philip Roth | 第116-140页 |
| Chapter Four Frame-Breaking in Narrative Structure | 第140-163页 |
| Ⅰ． Reed's Free and Inductive Narratology | 第142-149页 |
| Ⅱ． Roth's Double and Short-Circuit of Characters | 第149-163页 |
| Conclusion | 第163-171页 |
| Works Cited | 第171-180页 |
| Index | 第180-183页 |
