| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Introduction | 第9-16页 |
| ·The Author and the Novel | 第9-11页 |
| ·Literature Review | 第11-14页 |
| ·Outline of the Thesis | 第14-16页 |
| Chapter 1 Simplification of Conventional Creative Codes | 第16-27页 |
| ·Simplification of Post-impressionism | 第16-17页 |
| ·Simplification in Three Lives | 第17-27页 |
| ·Selection of the Description of Place—A Reduced World | 第17-21页 |
| ·Selection of Time—An Immortal World | 第21-24页 |
| ·Words Through Simplification | 第24-27页 |
| Chapter 2 Collage of Details | 第27-36页 |
| ·Collage of Each Independent Detail in “The Good Anna”and “Melanctha”-A Trivial and Miserable World | 第27-29页 |
| ·Interrelation of Each Detail in “The Good Anna”and “Melanctha”-A New Whole | 第29-33页 |
| ·Collage of the Contrasted Details in “The Gentle Lena” | 第33-36页 |
| Chapter 3 Repetition | 第36-47页 |
| ·Repetitive Technique in the Whole Collection---A Sadly World | 第37-41页 |
| ·Repetition of Details in “The Good Anna”and “The Gentle Lena” | 第41-42页 |
| ·Psychological Repetition in “Melanctha” | 第42-44页 |
| ·Repetition of Language in Three Lives | 第44-47页 |
| Conclusion | 第47-50页 |
| References | 第50-53页 |
| Acknowledgements | 第53-54页 |
| Appendix A 攻读学位期间所发表的论文目录 | 第54-55页 |
| Appendix B 详细中文摘要 | 第55-57页 |
