| 摘要 | 第4-6页 |
| Abstract | 第6-7页 |
| Introduction | 第9-20页 |
| I. Political Features of Oral Poetry in Dylan’s Works | 第20-38页 |
| A. From Topical Songs to Rebellion Songs | 第20-29页 |
| 1. Ethnopoetics and Folk Revival | 第20-24页 |
| 2. Anonymity and Identity of the Author | 第24-29页 |
| B. Civil Rights: Voice of the Mass | 第29-38页 |
| 1. Folk Song: Poetry of the Lower Class | 第30-33页 |
| 2. Protest of the Mass against the Elites | 第33-38页 |
| II. Artistical Features of Oral Poetry in Dylan’s Works | 第38-53页 |
| A. Artistic Style in the Oral Poetry Tradition | 第38-45页 |
| 1. Colloquial Narrative Style with Heavy Allusions | 第38-43页 |
| 2. Symbolism in Dylan’s Oral Poetry | 第43-45页 |
| B. Experimental Combination of Oral Poetry with New Forms of Art | 第45-53页 |
| 1. Oral Poetry and Rock Music | 第45-48页 |
| 2. Oral Poetry in the Movie Industry | 第48-53页 |
| III. Performative Features of Dylan’s Works | 第53-70页 |
| A. Indeterminacy in Performance | 第53-58页 |
| 1. Multiple Meanings of the Text | 第53-55页 |
| 2. Intentional Neglect of Meanings | 第55-58页 |
| B. Enhanced Emotional Expression in Performance | 第58-70页 |
| 1. Sublimation of Emotional Expression in Performance | 第59-65页 |
| 2. Complication of Emotional Expression in Performance | 第65-70页 |
| Conclusion | 第70-74页 |
| Works Cited | 第74-80页 |
| Acknowledgements | 第80页 |
