首页--文学论文

古怪的爱尔兰--论酷儿理论视域下的剧作家弗兰克·麦吉尼斯

摘要第5-6页
ABSTRACT第6页
Chapter 1 Introduction第8-13页
    1.1 Research Background第8-9页
    1.2 Literature Review第9-10页
    1.3 Theoretical Basics第10-12页
    1.4 Outline of the Thesis第12-13页
Chapter 2 Rebelling against Dichotomy of Gender and Sexuality第13-22页
    2.1 McGuinness: Personal Concerns第13-16页
    2.2 Rebecca: Muted Representation of Lesbian第16-18页
    2.3 Pyer: Overt Gay Love第18-22页
Chapter 3 Challenging Traditional Homosexuality第22-33页
    3.1 Rima and the Kitchen: Deregulating the Conventional Family第22-25页
    3.2 Justin and Marco: Various Gay Faces第25-29页
    3.3 All the Couples: Plurality of Experiences第29-33页
Chapter 4 Exploring Gender and Sexual Politics第33-50页
    4.1 Maela, Sarah, Greta: Women’s Fantastic Activism第33-38页
    4.2 Hark: Heterosexual Logic第38-42页
    4.3 Dido and The Burning Balaclava: Queer Performance as A Strategy第42-50页
Chapter 5 Conclusion第50-53页
Acknowledgements第53-54页
References第54-57页
Research Results Obtained During the Study for Master Degree第57-58页

论文共58页,点击 下载论文
上一篇:《說文測議》研究
下一篇:精神生态视域下的薇拉·凯瑟作品分析