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雷蒙德·卡佛短篇小说叙事艺术中的不确定之美

Acknowledgements第5-6页
Abstract第6-7页
摘要第8-9页
Abbreviations第9-12页
Chapter One Introduction第12-18页
    1.1 Raymond Carver and His Major Works第12-14页
    1.2 Significance of This Study第14-15页
    1.3 A Literature Review of Carverian Studies Abroad and at Home第15-18页
Chapter Two Indeterminacy第18-31页
    2.1 The Beauty of Indeterminacy第19-22页
    2.2 Origins and Evolution of Indeterminacy第22-29页
    2.3 Indeterminacy and Carver第29-31页
Chapter Three Sense of Menace-Minimalist Narration第31-56页
    3.1 A Few Words on Literary Minimalism第32-36页
    3.2 Carver's Minimalist Practices in Short Stories第36-56页
        3.2.1 The Art of Omission第38-49页
        3.2.2 The Solicitude for the Submerged第49-56页
Chapter Four Sense of Unreliability--Unreliable Narration第56-70页
    4.1 A Brief Introduction to Rhetorical Narratology第56-62页
        4.1.1 Wayne C. Booth: Implied Reader and Unreliable Narrator第57-60页
        4.1.2 James Phelan's Development of Unreliable Narration第60-62页
    4.2 Unreliable Narration in Carver's Stories第62-70页
Chapter Five Sense of Absurdity--Black Humor第70-76页
    5.1 A Brief Introduction to Black Humor第70-71页
    5.2 Carverian Black Humor第71-76页
        5.2.1 Black Humor in "Careful"第72-73页
        5.2.2 Black Humor in "The Bridle"第73-76页
Conclusion第76-79页
Bibliography第79-81页

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