| 摘要 | 第4-6页 |
| Abstract | 第6-8页 |
| Introduction | 第11-21页 |
| Ⅰ. The Power Entanglement between Women and Social Class in Munro’sStories | 第21-35页 |
| A. Women‘s Silent Compromise in Social Class Distinction | 第21-28页 |
| 1. Alva‘s Unconscious Internalization of Social Class Distinction in “SundayAfternoon” | 第22-25页 |
| 2. Lorna‘s Voluntary Acceptance of Social Class Distinction in “Post andBeam” | 第25-28页 |
| B. Women‘s Unremitting Struggle in Social Class Distinction | 第28-35页 |
| 1. Mrs. Jordan‘s Ambitious Disguise in “Walker Brothers Cowboy” | 第28-31页 |
| 2. Rose‘s Persistent Diligence in “The Beggar Maid” | 第31-35页 |
| Ⅱ. The Power Entanglement between Women and Regional Culture inMunro’s Stories | 第35-49页 |
| A. Women‘s Voiceless Compromise in Regional Distinction | 第35-41页 |
| 1. The Narrator‘s Subtle Installment of Regional Distinction in “Chaddeleysand Flemings” | 第36-38页 |
| 2. Edie‘s Willing Acceptance of Regional Distinction in “How I Met MyHusband” | 第38-41页 |
| B. Women‘s Persistent Struggle in Regional Distinction | 第41-49页 |
| 1. Mother‘s Disappointed Party in “Voices” | 第42-45页 |
| 2. The Narrator‘s Illuminating Dinner with Mr. Purvis in “Wenlock Edge” | 第45-49页 |
| Ⅲ. The Power Entanglement between Women and Gender Oppression inMunro’s Works | 第49-63页 |
| A. Women‘s Quiet Compromise in Gender Distinction | 第49-55页 |
| 1. The Narrator‘s Unconscious Instillation of Gender Distinction in “Boysand Girls” | 第50-52页 |
| 2. Carla‘s Hearty Surrender to Gender Distinction in “Runaway” | 第52-55页 |
| B. Women‘s Relentless Struggle in Gender Distinction | 第55-63页 |
| 1. Flora‘s Self-deception in “Friend of My Youth” | 第56-58页 |
| 2. Doree‘s Self-exploration in “Dimensions” | 第58-63页 |
| Conclusion | 第63-65页 |
| Works Cited | 第65-69页 |
| Acknowledgments | 第69-70页 |
| Paper Published during Study | 第70-71页 |
