| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-21页 |
| 1.1 History of American Road Movies | 第11-12页 |
| 1.2 Literature Review | 第12-14页 |
| 1.3 Theoretical Framework and Methodology | 第14-16页 |
| 1.4 Significance and Research Questions | 第16-17页 |
| 1.5 Analysis Procedures | 第17-21页 |
| CHAPTER TWO GENDERING TRADITIONAL AMERICAN ROAD MOVIES | 第21-31页 |
| 2.1 Men and Women in Traditional American Road Movies | 第22-30页 |
| 2.1.1 Generic Conventions of Men's Images | 第23-27页 |
| 2.1.2 Classical Paradigm of Women's Images | 第27-30页 |
| 2.2 Chapter Conclusion | 第30-31页 |
| CHAPTER THREE GENDERING MODERN AMERICAN ROAD MOVIES | 第31-45页 |
| 3.1 Developments of Male Characters in Thelma& Louise | 第32-37页 |
| 3.1.1 Men as Victims | 第32-34页 |
| 3.1.2 Eroticized Body of Men | 第34-37页 |
| 3.2 Female Characters Renewed in Thelma& Louise | 第37-43页 |
| 3.2.1 Dissolution of Binary Gender Boundary | 第38-40页 |
| 3.2.2 Women's Growth and Changing Self-Identity | 第40-43页 |
| 3.3 Chapter Conclusion | 第43-45页 |
| CHAPTER FOUR SUBVERSIVE IMAGES APPEARING ON SCREEN | 第45-57页 |
| 4.1 Masculinities inTransamerica | 第45-50页 |
| 4.1.1 Male Femininity in Transamerica | 第46-48页 |
| 4.1.2 Queer Sexual Identity | 第48-50页 |
| 4.2 Femininities in Mad Max: Fury Road | 第50-54页 |
| 4.2.1 Female Masculinity in Mad Max: Fury Road | 第51-52页 |
| 4.2.2 Gender Ambiguity to Disturb Sexual Binarism | 第52-54页 |
| 4.3 Chapter Conclusion | 第54-57页 |
| CHAPTER FIVE CONCLUSION | 第57-61页 |
| WORKS CITED | 第61-64页 |
