| 中文摘要 | 第1-3页 |
| Abstract | 第3-4页 |
| 中文文摘 | 第4-6页 |
| Synopsis | 第6-11页 |
| Introduction | 第11-16页 |
| Chapter One Femimist Awareness and Multiple Approaches of Western Feminist Literary Criticisms | 第16-27页 |
| ·Feminist Awareness | 第16-18页 |
| ·Multiple Approaches of Western Feminist Literary Criticisms | 第18-27页 |
| Chapter Two Women Liberation and Feminism in China | 第27-33页 |
| ·Women Liberation | 第27页 |
| ·Feminism in China | 第27-31页 |
| ·The History of Women's Studies and Feminist Movement in China | 第31-33页 |
| Chapter Three Critical History of the Country Wife | 第33-36页 |
| ·Literary Criticism | 第33-34页 |
| ·Modem Criticism | 第34-36页 |
| Chapter Four Feminist Awareness Embodied in The Country Wife | 第36-47页 |
| ·First Appearance of Female Actors on the Stage | 第36页 |
| ·Women's Low Position in the Society | 第36-37页 |
| ·Little Proper Education for Women | 第37页 |
| ·Superiority of Women's Wit to Men's in The Country Wife | 第37-42页 |
| ·Women's Attitude towards Men and Love | 第42-47页 |
| Chapter Five Wycherley' Marriage Orientation | 第47-52页 |
| ·The Couple of Sir Jasper Fidge and Lady Fidget | 第47-48页 |
| ·The Couple of Pinchwife and Margery | 第48-50页 |
| ·The Couple of Sparkish and Alithea | 第50-52页 |
| Conclusion | 第52-53页 |
| References | 第53-56页 |
| Acknowledgements | 第56-57页 |
