| 中文摘要 | 第1-8页 |
| Abstract | 第8-10页 |
| Introduction | 第10-12页 |
| Chapter One Homosexuality in the American Social Context | 第12-24页 |
| ·The Study on Homosexuality | 第12-16页 |
| ·A Historical Review of the Phenomenon | 第13-14页 |
| ·Homosexuality in America | 第14-16页 |
| ·Homosexuality as a Sexual Minority Subculture | 第16-20页 |
| ·Conflict with Christianity | 第17-18页 |
| ·Conflict with Traditional Moral Values | 第18-20页 |
| ·The Flood of Homophobia before and during the 20~(th) Century | 第20-22页 |
| ·The Cone Effect Theory | 第22-24页 |
| Chapter Two From Taboo to Liberation:Oueer Cinema before the 1990s | 第24-31页 |
| ·The Definition of Queer Cinema | 第24页 |
| ·The Tortuous Development of Queer Cinema in the Early-Mid 20~(th) Century | 第24-28页 |
| ·Rebellion Implied in Silence | 第25-26页 |
| ·Queer Cinema under Oppression and Restriction | 第26-28页 |
| ·The Initial Development of Queer Cinema from 1960s to 1980s | 第28-31页 |
| ·Gay Movement in the 1960s and 1970s | 第28-30页 |
| ·Queer Cinema in the Primary Stage | 第30-31页 |
| Chapter Three The Rise of New Queer Cinema in the 1990s | 第31-39页 |
| ·The Obvious Characteristics of the Age—Concern on AIDS | 第31-33页 |
| ·The Queer Theory | 第33-36页 |
| ·The Diversification of Queer Images | 第36-39页 |
| Chapter Four The Review and Status Quo of Queer Cinema in the New Century | 第39-51页 |
| ·The Evolution of Homosexual Images | 第40-43页 |
| ·Demonization of Homosexuals | 第40-42页 |
| ·Positive Representation and Public Sympathy | 第42-43页 |
| ·A Case Study:Brokeback Mountain | 第43-47页 |
| ·The Growing Tolerance for Homosexuality | 第47-48页 |
| ·The Homosexual Theme Flourishing in the Fields beyond Cinema | 第48-51页 |
| Conclusion | 第51-52页 |
| Bibliography | 第52-55页 |
