| 摘要 | 第4-6页 |
| Abstract | 第6-8页 |
| Introduction | 第11-21页 |
| 0.1 George Eliot and Her Short Stories | 第11-16页 |
| 0.1.1 George Eliot | 第11-13页 |
| 0.1.2 George Eliot’s Short Stories | 第13-16页 |
| 0.2 Literature Review | 第16-20页 |
| 0.2.1 Foreign Research | 第17-19页 |
| 0.2.2 Domestic Research | 第19-20页 |
| 0.3 Significance of the Study | 第20-21页 |
| Chapter One Narrative Perspective in George Eliot’s Short Stories | 第21-32页 |
| 1.1 The First-person Retrospective Perspective in The Lifted Veil | 第24-27页 |
| 1.1.1 The Perspective of Narrating Self in The Lifted Veil | 第25-26页 |
| 1.1.2 The Perspective of Experiencing Self in The Lifted Veil | 第26-27页 |
| 1.2 The Third-person Omniscient Perspective in The Scenes of Clerical Life | 第27-32页 |
| 1.2.1 Temporal Omniscience in Mr Gilfil’s Love Story | 第27-28页 |
| 1.2.2 Spatial Omniscience in The Sad Fortune of the Reverend Amos Barton | 第28-30页 |
| 1.2.3 Psychological Omniscience in Janet’s Repentance | 第30-32页 |
| Chapter Two Narrative Order in George Eliot’s Short Stories | 第32-41页 |
| 2.1 Prolepsis in The Lifted Veil | 第34-37页 |
| 2.1.1 External Prolepsis in The Lifted Veil | 第35-36页 |
| 2.1.2 Internal Prolepsis in The Lifted Veil | 第36页 |
| 2.1.3 Repeating Prolepsis in The Lifted Veil | 第36-37页 |
| 2.2 Analepsis in Mr. Gilfil’s Love Story | 第37-41页 |
| 2.2.1 External Analepsis in Mr Gilfil’s Love Story | 第38-39页 |
| 2.2.2 Internal Analepsis in Mr Gilfil’s Love Story | 第39-41页 |
| Chapter Three Narrative Voice in George Eliot’s Short Stories | 第41-52页 |
| 3.1 The Voice of Overt Narrator in George Eliot’s Short Stories | 第42-48页 |
| 3.1.1 Set Description in The Sad Fortunes of the Reverend Amos Barton | 第43-44页 |
| 3.1.2 Commentary in Mr Gilfil’s Love Story | 第44-48页 |
| 3.2 The Voice of Covert Narrator in Janet’s Repentance | 第48-50页 |
| 3.3 The Voice of Absent Narrator in Mr Gilfil’s Love Story | 第50-52页 |
| Conclusion | 第52-55页 |
| Bibliography | 第55-59页 |
| Acknowledgements | 第59-61页 |
| 个人简历 | 第61页 |
