| Abstract | µÚ5Ò³ |
| ÄÚÈÝÌáÒª | µÚ6-8Ò³ |
| Introduction | µÚ8-12Ò³ |
| Chapter I Narrative Point of View: Center of Consciousness | µÚ12-21Ò³ |
| A. Amerigo: Center of Consciousness | µÚ14-16Ò³ |
| B. Maggie: Center of Consciousness | µÚ16-21Ò³ |
| Chapter II Direct Description of Psychology | µÚ21-31Ò³ |
| A. The implication of building the scene system | µÚ21-22Ò³ |
| B. Three ways of building the scene system | µÚ22-28Ò³ |
| a. Dialogue | µÚ23-26Ò³ |
| b. Silence | µÚ26-28Ò³ |
| C. The narrated monologue | µÚ28-31Ò³ |
| Chapter III Indirect Description of Psychology¡ªThrough language | µÚ31-38Ò³ |
| A. In Lexical level | µÚ32-33Ò³ |
| a. Nouns as the subject | µÚ32Ò³ |
| b. Functional words as the subject | µÚ32-33Ò³ |
| B. In Syntactic Level | µÚ33-38Ò³ |
| a. Insertions and elliptical sentence fragments | µÚ33-34Ò³ |
| b. Combination of long and short sentences | µÚ34-35Ò³ |
| c. Repetition and parallelism | µÚ35-38Ò³ |
| Conclusion | µÚ38-41Ò³ |
| Notes | µÚ41-44Ò³ |
| Bibliography | µÚ44-45Ò³ |