| ACKNOWLEDGEMENT | 第1-6页 |
| ABSTRACT IN CHINESE | 第6-7页 |
| ABSTRACT IN ENGLISH | 第7-11页 |
| INTRODUCTION | 第11-19页 |
| CHAPTER Ⅰ THE ORIENTALIST CONSTRUCTION OF CHINA IN THE NOVEL | 第19-36页 |
| ·Geography:Images of the Temple and the City | 第20-22页 |
| ·Image of the Temple:Hope | 第21-22页 |
| ·Image of the City:Death | 第22页 |
| ·People:the Chinese Other vs.the Western Self | 第22-29页 |
| ·The Other Taken into the Self | 第23-25页 |
| ·The Other Excluded from the Self | 第25-27页 |
| ·The Other Taken into and then Excluded from the Self | 第27-29页 |
| ·The Cultural Icon:Feminine Image-the Manchu Princes | 第29-36页 |
| ·Spoken for by the West | 第29-33页 |
| ·Exotic and Submissive Nature | 第33-34页 |
| ·Feminization of the Orient | 第34-36页 |
| CHAPTER Ⅱ THE REPRESENTATION OF CHINA IN THE MOVIE ADAPTATION | 第36-51页 |
| ·The Natural and Social Environment | 第38-40页 |
| ·The Authentic Setting:Natural Environment | 第38-40页 |
| ·The Social Environment | 第40页 |
| ·The Characterization of Chinese characters | 第40-42页 |
| ·Colonel Yü | 第41-42页 |
| ·Other Chinese Characters | 第42页 |
| ·Blind Spots of Attention | 第42-47页 |
| ·Appearance | 第44-45页 |
| ·Sensuality | 第45-47页 |
| ·Themes | 第47-51页 |
| ·The Political Dimension | 第47-48页 |
| ·The Salvation Theme | 第48-51页 |
| CHAPTER Ⅲ CAUSES FOR REINFORCEMENT OF ORIENTALIST DISCOURSE | 第51-56页 |
| ·The Genetic Inheritance | 第51-52页 |
| ·The Movie Mechanism:Sex and Sensuality | 第52-53页 |
| ·Orientalism as a Discourse | 第53-56页 |
| CONCLUSION | 第56-59页 |
| WORKS CITED | 第59-61页 |
