| ABSTRACT IN CHINESE | 第1-5页 |
| ABSTRACT | 第5-6页 |
| ACKNOWLEDGEMENTS | 第6-7页 |
| TABLE OF CONTENTS | 第7-9页 |
| CHAPTER Ⅰ INTRODUCTION | 第9-19页 |
| ·A BRIEF INTRODUCTION TO THE LITERARY CRITICISM'S DEVELOPMENT SINCE 1960s | 第9-11页 |
| ·A BRIEF INTRODUCTION TO THE CHINESE-AMERICAN LITERATURE | 第11-13页 |
| ·AN INTRODUCTION TO KINGSTON AND HER FOUR BOOKS | 第13-16页 |
| ·REVIEWS ON THE WOMAN WARRIOR | 第16-19页 |
| CHAPTER Ⅱ BASIC THEORIES ON POSTMODERNISM AND CULTURAL STUDIES | 第19-25页 |
| ·THE HISTORIC BACKGROUND ITS DEVELOPMENT OF POSTMODERNISM | 第19-21页 |
| ·THE DEFINITIONS OF POSTMODERNISM:'POSTMODERNITY' AND 'POSTMODERNISM' | 第21-22页 |
| ·CULTURAL STUDIES | 第22-25页 |
| CHAPTER Ⅲ DILEMMA OF DUALITIES (1): A POSTMODERN APPROACH IN THE WOMAN WARRIOR | 第25-48页 |
| ·BURDEN OF DUAL AUTHENTICITIES | 第25-37页 |
| ·Historical Authenticity | 第25-30页 |
| ·Experiential Authenticity | 第30-33页 |
| ·Author's Social Responsibility vs Professional Responsibility | 第33-37页 |
| ·POSTMODERN RETELLING OF CLASSIC STORIES | 第37-41页 |
| ·THE GENRE OF THE WOMAN WARRIOR | 第41-48页 |
| ·Autobiography vs Ethnography | 第42-46页 |
| ·Fictive vs Historical | 第46-48页 |
| CHAPTER Ⅳ COLLAGE AND MONTAGE OF WRITING TECHNIQUES | 第48-57页 |
| ·NARRATIVE | 第48-52页 |
| ·DICTION | 第52-57页 |
| CHAPTER Ⅴ DILEMMA OF DUALITIES (2): A CULTURAL STUDY ON THE WOMAN WARRIOR | 第57-69页 |
| ·BURDEN OF DUAL IDENTITIES: VOICE OF A CHINESE AMERICAN WOMAN | 第58-67页 |
| ·ORIENTALISM AND CULTURAL DIVERSITY | 第67-69页 |
| CHAPTER Ⅵ CONCLUSION | 第69-72页 |
| BIBLIOGRAPHY | 第72-73页 |
