| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-10页 |
| 1.Introduction | 第10-20页 |
| ·A brief introduction to Jane Austen | 第10-11页 |
| ·Feminism and archetypal criticism as theoretical bases | 第11-14页 |
| ·Archetype of Cinderella and Jane Austen's Cinderella complex | 第14-15页 |
| ·Literature review and arguments of the thesis | 第15-20页 |
| 2. Cinderella's Father:the Bread-winner | 第20-28页 |
| ·Permissive-indifferent fathers in Jane Austen's novels | 第20-23页 |
| ·Reasons for father's absence in Jane Austen's novels | 第23-28页 |
| ·Father's influence on Jane Austen | 第23-25页 |
| ·A rich man:father's role in patriarchal society | 第25-28页 |
| 3. The King:Guarantee of Prince's Social Status and Wealth | 第28-33页 |
| ·Authoritarians in Jane Austen's novels | 第28-30页 |
| ·The King:representative of invisible social system | 第30-33页 |
| 4. The Prince and Other Suitors:Rescuer and Helper | 第33-44页 |
| ·Prince or the hero:Cinderella's rescuer | 第33-38页 |
| ·Perfect Prince:from Colonel Brandon to Mr.Wentworth | 第33-36页 |
| ·Ideal male in real World | 第36-38页 |
| ·Prince's competitor:helper to romance | 第38-44页 |
| ·Deceptive competitors | 第38-42页 |
| ·The medium of guiding protagonists to recognize their true feeling | 第42-44页 |
| 5. Jane Austen's Feminist Consciousness Reflected in the Cinderella Archetype | 第44-50页 |
| ·Austen's satire on woman's beauty in marriage | 第44-45页 |
| ·Reduced importance of social conventions | 第45-47页 |
| ·Prince and Cinderella as equal soul mate | 第47-50页 |
| Conclusion | 第50-51页 |
| Bibliography | 第51-53页 |
