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田纳西·威廉斯剧作中性别二元对立的建构与消解

ACKNOWLEDGEMENTS第7-8页
ABSTRACT第8-9页
摘要第10-13页
CHAPTER ONE INTRODUCTION第13-18页
    1.1 Research Background第13-16页
    1.2 Research Questions第16页
    1.3 Research Objectives and Significance第16-17页
    1.4 Structure of Thesis第17-18页
CHAPTER TWO LITERATURE REVIEW第18-23页
    2.1 Previous Researches on Tennessee Williams’ Plays abroad第18-20页
    2.2 Previous Researches on Tennessee Williams’ Plays at Home第20-23页
CHAPTER THREE THEORETICAL FRAMEWORK第23-28页
    3.1 Origin of Binary opposition第23-26页
        3.1.1 Structuralism第23-24页
        3.1.2 Structural Perspective View of Binary Opposition第24-26页
    3.2 Development of Binary Opposition第26-28页
        3.2.1 Post-structuralism第26-27页
        3.2.2 Post-structural Perspective View of Binary Opposition第27-28页
CHAPTER FOUR CONSTRUCTION OF GENDER BINARY OPPOSITIONAND ITS SIGNIFICANCE第28-38页
    4.1 Males’ Superiority over Females第28-32页
        4.1.1 Superiority of physiology and psychology第28-29页
        4.1.2 Superiority of career and economy第29-31页
        4.1.3 Superiority of marriage and family status第31-32页
    4.2 Text significance of construction第32-38页
        4.2.1 Tragedy effect第33-35页
        4.2.2 Text tension第35-38页
CHAPTER FIVE RECONCILIATION OF GENDER BINARY OPPOSITION ANDTHEIR SIGNIFICANCE第38-58页
    5.1 Disappearance of Traditional Heroism第39-45页
        5.1.1 Cowardly Temperament第40-42页
        5.1.2 Defective Personality第42-45页
    5.2 Disappearance of Traditional Southern Belles第45-55页
        5.2.1 Uninhibited Lady Deviating from Tradition第46-49页
        5.2.2 Heroic Mother Showing Brilliance and Bravery第49-51页
        5.2.3 Powerful Wife revolting against Reality第51-55页
    5.3 Thematic Significance of Gender Equality第55-58页
        5.3.1 Dissolving of Gender Difference第55-57页
        5.3.2 Awakening of Gender Consciousness第57-58页
CHAPTER SIX CONCLUSION第58-60页
    6.1 Findings of This Research第58-59页
    6.2 Weakness and Future Studies第59-60页
WORKS CITED第60-64页
APPENDIX第64-65页

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