Abstract | 第4-5页 |
摘要 | 第6-10页 |
Introduction | 第10-16页 |
Chapter One Abbey Theatre and “Oedipus Plays” | 第16-28页 |
1.1 The Founding of Abbey Theatre | 第17-21页 |
1.1.1 Founding Background of Abbey Theatre | 第18页 |
1.1.2 Yeats’s Intention to Carry the ‘Oedipus’on the Stage of Abbey | 第18-21页 |
1.2 The Ideal National Theatre in Yeats’s Mind | 第21-24页 |
1.2.1 The Artistic Proposition of Abbey Theatre | 第21-22页 |
1.2.2 The Political Position of Abbey Theatre | 第22-24页 |
1.3 Abbey’s Deviation from the Ideal National Theatre | 第24-28页 |
1.3.1 Abbey’s Development into a Modernized Theatre | 第24-25页 |
1.3.2 “Oedipus Plays”: the Antithesis to English Modernist Dramas | 第25-28页 |
Chapter Two Celtic Elements and “Oedipus Plays” | 第28-37页 |
2.1 Celtic Religious Ingredients in “Oedipus Plays” | 第29-33页 |
2.1.1 Irish Religious Tradition | 第29-30页 |
2.1.2 Religious Elements and Rituals in the Plays | 第30-33页 |
2.2 Celtic Oral Traditions in “Oedipus Plays” | 第33-37页 |
2.2.1 The Employment of the Oral Traditions | 第33-35页 |
2.2.2 Yeats’s Preference to the Oral Expressions of Poetic Plays | 第35-37页 |
Chapter Three Irish Reality and “Oedipus Plays” | 第37-45页 |
3.1 Irish Reality and Oedipus the King | 第37-41页 |
3.1.1 The Pre-State Chaos of Ireland and Oedipus the King | 第38-39页 |
3.1.2 The Founding of Irish Free State and Oedipus the King | 第39-41页 |
3.2 Irish Reality and Oedipus at Colonus | 第41-45页 |
3.2.1 The Civil War of Ireland and Oedipus at Colonus | 第41-42页 |
3.2.2 Make Right Choice | 第42-45页 |
Conclusion | 第45-51页 |
Acknowledgements | 第51-52页 |
Bibliography | 第52-55页 |
攻硕期间取得的研究成果 | 第55-56页 |