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The National-Consciousness in Yeatss "Oedipus Plays"

Abstract第4-5页
摘要第6-10页
Introduction第10-16页
Chapter One Abbey Theatre and “Oedipus Plays”第16-28页
    1.1 The Founding of Abbey Theatre第17-21页
        1.1.1 Founding Background of Abbey Theatre第18页
        1.1.2 Yeats’s Intention to Carry the ‘Oedipus’on the Stage of Abbey第18-21页
    1.2 The Ideal National Theatre in Yeats’s Mind第21-24页
        1.2.1 The Artistic Proposition of Abbey Theatre第21-22页
        1.2.2 The Political Position of Abbey Theatre第22-24页
    1.3 Abbey’s Deviation from the Ideal National Theatre第24-28页
        1.3.1 Abbey’s Development into a Modernized Theatre第24-25页
        1.3.2 “Oedipus Plays”: the Antithesis to English Modernist Dramas第25-28页
Chapter Two Celtic Elements and “Oedipus Plays”第28-37页
    2.1 Celtic Religious Ingredients in “Oedipus Plays”第29-33页
        2.1.1 Irish Religious Tradition第29-30页
        2.1.2 Religious Elements and Rituals in the Plays第30-33页
    2.2 Celtic Oral Traditions in “Oedipus Plays”第33-37页
        2.2.1 The Employment of the Oral Traditions第33-35页
        2.2.2 Yeats’s Preference to the Oral Expressions of Poetic Plays第35-37页
Chapter Three Irish Reality and “Oedipus Plays”第37-45页
    3.1 Irish Reality and Oedipus the King第37-41页
        3.1.1 The Pre-State Chaos of Ireland and Oedipus the King第38-39页
        3.1.2 The Founding of Irish Free State and Oedipus the King第39-41页
    3.2 Irish Reality and Oedipus at Colonus第41-45页
        3.2.1 The Civil War of Ireland and Oedipus at Colonus第41-42页
        3.2.2 Make Right Choice第42-45页
Conclusion第45-51页
Acknowledgements第51-52页
Bibliography第52-55页
攻硕期间取得的研究成果第55-56页

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