| Acknowledgements | 第7-8页 |
| ABSTRACT | 第8-9页 |
| 摘要 | 第10-13页 |
| Chapter One INTRODUCTION | 第13-19页 |
| 1.1 Khaled Hosseini and The Kite Runner | 第13-15页 |
| 1.2 Literature review | 第15-17页 |
| 1.3 Thesis structure | 第17-19页 |
| Chapter Two THE THEORETICAL FRAMEWORK | 第19-25页 |
| 2.1 Theory of "the mirror stage" | 第19-20页 |
| 2.2 Theory of postcolonialism | 第20-23页 |
| 2.3 The interpretation of identity | 第23-25页 |
| Chapter Three TENSION BETWEEN THE SELF AND THE OTHER:AMIR'SIDENTITY CRISIS AND IDENTITY ESTABLISHMENT | 第25-34页 |
| 3.1 The self and the other in the master-servant relationship | 第25-30页 |
| 3.2 The self and the other in the family relationship | 第30-34页 |
| Chapter Four VOICELESSNESS OF THE SUBALTERNS:THE HAZARA RACEAND AFGHAN WOMEN'S LOST IDENTITY | 第34-40页 |
| 4.1 The miserable fate of the Hazara race | 第34-36页 |
| 4.2 The unequal treatment of the women | 第36-40页 |
| Chapter Five CHOICE BETWEEN CULTURAL NATIONALISM ANDCULTURAL HYBRIDITY:AFGHAN IMMIGRANTS' NATIONAL CULTURALIDENTITY ESTABLISHMENT | 第40-48页 |
| 5.1 Cultural nationalism of the old generation immigrants | 第40-44页 |
| 5.2 Cultural hybridity of the young generation immigrants | 第44-48页 |
| Chapter Six CONCLUSION | 第48-51页 |
| WORKS CITED | 第51-54页 |
| Appendix | 第54页 |
