| Acknowledgments | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-9页 |
| Contents | 第9-11页 |
| Chapter One Introduction | 第11-18页 |
| ·A brief introduction to the writer's literary achievements and the work | 第11-12页 |
| ·Literature review | 第12-14页 |
| ·Central argument,originality,and research methodology | 第14-16页 |
| ·Research significance | 第16页 |
| ·Framework of the thesis | 第16-18页 |
| Chapter Two From Innocence to Experience:The Explosion of DifferentVoices | 第18-25页 |
| ·The social changes arousing the public consciousness | 第18-22页 |
| ·The Industrial Revolution | 第19-20页 |
| ·The American and French Revolution | 第20-22页 |
| ·The conflicts under the context of ideological change | 第22-25页 |
| Chapter Three Types of Perspectives and the Implied Author Behind it | 第25-40页 |
| ·The three categories of perspectives in the Discourse Text | 第25-35页 |
| ·Dramatic monologue | 第25-30页 |
| ·Dialogue poem | 第30-33页 |
| ·Compound perspective | 第33-35页 |
| ·Cognitive psychology in the perspectives | 第35-37页 |
| ·Implied author behind these perspectives | 第37-40页 |
| Chapter Four Romantic Embodiment in Different Perspectives | 第40-47页 |
| ·The return to Milton and the Elizabethans for literary models | 第41-42页 |
| ·The spontaneous overflow of powerful feelings | 第42-43页 |
| ·The creation of a world of imagination | 第43-45页 |
| ·The rebellous spirit | 第45-47页 |
| Chapter Five Conclusion | 第47-49页 |
| Works Cited | 第49-51页 |
| Publications | 第51页 |
