| English Abstract | 第1-5页 |
| Chinese Abstract | 第5-7页 |
| Introduction | 第7-12页 |
| Chapter One Postcolonialism and Salman Rushdie’s Postcolonial Position | 第12-28页 |
| 1.Postcolonialism: Connotation, Theoretical Origin and Development | 第12-15页 |
| 2.The Situation in India before and after Independence | 第15-17页 |
| 3.Salman Rushdie’s Postcolonial Position in Midnight’s Children | 第17-28页 |
| ·Rewriting the History of India | 第17-22页 |
| ·Hybrid Selfhood and Nation | 第22-28页 |
| Chapter Two Magical Realism and Its Relation to Postcolonialism | 第28-32页 |
| 1.The Origin and Definition of Magical Realism | 第28-29页 |
| 2.Magical Realism as a Postcolonial Strategy | 第29-32页 |
| Chapter Three Techniques of Magical Realism in Midnight’s Children | 第32-41页 |
| 1.Non—linear Narration | 第32-36页 |
| 2.Magical World and Hybrid Text | 第36-41页 |
| ·Magical World | 第36-39页 |
| ·Hybrid Text | 第39-41页 |
| Conclusion | 第41-42页 |
| Bibliography | 第42-44页 |
