| Acknowledgements | 第1-5页 |
| Abstract in Chinese | 第5-6页 |
| Abstract in English | 第6-9页 |
| 1. Introduction | 第9-16页 |
| 2. Beloved: A World of Bakhtinian Carnival | 第16-27页 |
| ·Carnival: the ultimate aim of the Bakhtin theory | 第16-17页 |
| ·Morrison's aim: construction of pluralism | 第17-19页 |
| ·Beloved: a carnival with the black's equal participation | 第19-27页 |
| ·The subversion of the established social and cultural order | 第19-26页 |
| ·The black's voice from the margin to the center | 第19-23页 |
| ·The subversion of the American official history | 第23-26页 |
| ·The equal participation of the black in the carnival | 第26-27页 |
| 3. Beloved: A Polyphonic Novel | 第27-37页 |
| ·Polyphony: the foundation of dialogue | 第27-28页 |
| ·The polyphonic features of Beloved | 第28-37页 |
| ·Double-voiced discourse | 第29-30页 |
| ·Multivoicedness | 第30-37页 |
| ·Voices of charging slavery of destructing slaves' individual identity | 第30-31页 |
| ·Voices of claiming the slaves' individual identity | 第31-35页 |
| ·Voices of charging slavery of destructing slaves' cultural identity | 第35-37页 |
| 4. Beloved: A Novel Full of Dialogues | 第37-51页 |
| ·Dialogue: a strategy towards carnival | 第37-38页 |
| ·Dialogues between main characters to gain their subjectivity | 第38-41页 |
| ·Dialogue between the Western and African culture | 第41-51页 |
| ·Morrison's assimilation of the Western cultural elements | 第41-45页 |
| ·Multiplicity of narrative voices | 第42-43页 |
| ·Stream of consciousness | 第43-44页 |
| ·Biblical allusions | 第44-45页 |
| ·Morrison's claim of African heritage | 第45-51页 |
| ·African cosmology and folklore | 第46-47页 |
| ·Call-and-response pattern | 第47-48页 |
| ·Black musical feature | 第48-51页 |
| 5. Conclusion | 第51-52页 |
| Bibliography | 第52-54页 |
