| ABSTRACT | 第1-5页 |
| 摘要 | 第5-8页 |
| Introduction | 第8-9页 |
| Chapterl The Innovative Applications of Gothic Novels | 第9-23页 |
| ·The Characteristics of Gothic Novels | 第9-12页 |
| ·The Main Characters of Gothic Novels | 第9-11页 |
| ·The Main Narrative Features of Gothic Novels | 第11-12页 |
| ·The Gothic Novel and Wuthering Heights | 第12页 |
| ·Inheritance and the Development | 第12-23页 |
| ·Deepening of the Theme | 第13-16页 |
| ·On the Psychological Depth of Character Development | 第16-20页 |
| ·The Depiction of the Different Setting | 第20-23页 |
| Chapter 2 The Abundant Use of Symbols | 第23-31页 |
| ·Symbol | 第23-25页 |
| ·"Wuthering Heights" and "Thrushcross Grange" | 第23-24页 |
| ·"Catherine Linton" and" Catherine Earnshaw" | 第24-25页 |
| ·Images | 第25-31页 |
| ·The Wilderness | 第25-27页 |
| ·The Storm | 第27-28页 |
| ·The Lost Child | 第28-29页 |
| ·The Window | 第29-31页 |
| Chapter 3 The Original Narrative Techniques | 第31-37页 |
| ·"Space Perversion" of the Multi-angle Narrative Methods | 第31-35页 |
| ·The"Chronological Sequence +Flashback +Chronological Sequence" Multi-angle Narrative Technique | 第31-34页 |
| ·The Dualistic Structure | 第34-35页 |
| ·The Dramatized Plot | 第35-37页 |
| ·The Direct Presentation of the Scene | 第35页 |
| ·The Successive Conflict | 第35-37页 |
| Conclusion | 第37-39页 |
| Acknowledgements | 第39-40页 |
| Bibliography | 第40-42页 |
| Published Papers during the MA Study | 第42页 |
