| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-11页 |
| Chapter One Introduction | 第11-27页 |
| 1.1 Hanif Kureishi and The Buddha of Suburbia | 第11-14页 |
| 1.2 Literature Review at Home and Abroad | 第14-19页 |
| 1.3 Theoretical Framework | 第19-25页 |
| 1.4 Significance | 第25-27页 |
| Chapter Two Crisis of Masculinity | 第27-39页 |
| 2.1 Decline of Masculine Features | 第27-32页 |
| 2.1.1 Charlie:A Feminized Man with Beautiful Appearance | 第27-29页 |
| 2.1.2 Changez: Disabled Immigrant | 第29-31页 |
| 2.1.3 Psychological Collapse of Men | 第31-32页 |
| 2.2 Deprivation of Male Identity | 第32-39页 |
| 2.2.1 Unsatisfactory Career | 第32-34页 |
| 2.2.2 Unhappy Marriage | 第34-36页 |
| 2.2.3 Bisexuality | 第36-39页 |
| Chapter Three Causes for the Crisis of Masculinity | 第39-53页 |
| 3.1 Women's Subversion of Hegemonic Masculinity | 第39-44页 |
| 3.1.1 An Indian Woman to Live a Useful Life in England | 第39-42页 |
| 3.1.2 A Middle-aged Woman with Only One Breast | 第42-44页 |
| 3.2 Negative Influence of Subculture on Youth | 第44-47页 |
| 3.2.1 Pop Culture and the Construction of Masculinity | 第44-46页 |
| 3.2.2 Homosexual's Threat to Hegemonic Masculinity | 第46-47页 |
| 3.3 Men's Unconsciousness of Social Transformation | 第47-53页 |
| 3.3.1 Racial "Other" in Public Spaces | 第48-50页 |
| 3.3.2 Consent of Hegemonic Masculinity:A Source of Anwar's Tragedy | 第50-53页 |
| Chapter Four New Forms of Masculinity | 第53-63页 |
| 4.1 Establishment of Cultural Identity | 第53-58页 |
| 4.1.1 Haroon as the Buddha of Suburbia | 第53-56页 |
| 4.1.2 Karim as a Successful Actor in London | 第56-58页 |
| 4.2 Construction of Harmonious Heterosexual Relationships | 第58-63页 |
| 4.2.1 A Mutually Supportive Couple: Haroon and Eva | 第58-60页 |
| 4.2.2 Changez to Be a House-husband | 第60-63页 |
| Chapter Five Conclusion | 第63-65页 |
| Bibliography | 第65-69页 |
| 攻读硕士学位期间的科研成果 | 第69页 |
