| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-19页 |
| Chapter One Visual Motions and Mechanicalized Perception | 第19-29页 |
| 1.1 The Regular Visual Motions and MechanicalMeaninglessRepetitions | 第20-25页 |
| 1.2 The Irregular Visual Motions and Mechanical Divisional Productions | 第25-29页 |
| Chapter Two Impressionist Painting Features and Industrialized Ambivalence | 第29-42页 |
| 2.1 Unsurpassed Gap in Colors | 第31-36页 |
| 2.2 Unpredicted Hope in Lights and Shadows | 第36-38页 |
| 2.3 Fragmented Spirituality in Instantaneous Images | 第38-42页 |
| Chapter Three Typographical Layout andAnti-industrialized Consciousness | 第42-50页 |
| 3.1 Cover Design and Pursuit of Natural | 第43-45页 |
| 3.2 Captical Letters and Accusation of Industrialization | 第45-48页 |
| 3.3 Blank-leaving and Restoration of Soul | 第48-50页 |
| Conclusion | 第50-52页 |
| Notes | 第52-54页 |
| Works Cited | 第54-57页 |
| Acknowledgements | 第57-58页 |
| Informative Abstract in Chinese | 第58-60页 |
| Résumé and Publications since Entering the Program | 第60页 |
