| Acknowledgements | 第4-7页 |
| 摘要 | 第7-8页 |
| Abstract | 第8页 |
| 1. Introduction | 第9-10页 |
| 2. Literature Review | 第10-12页 |
| 3. Theoretical Framework | 第12-15页 |
| 3.1 The positions of enunciation | 第13页 |
| 3.2 Two ways of reflecting on cultural identity | 第13-14页 |
| 3.3 The play of differance | 第14-15页 |
| 3.4 Changes in "enunciation" and identity transformation | 第15页 |
| 4. Textual Analysis of The Jade Peony and All That Matters | 第15-37页 |
| 4.1 The processes of identity transformation of Jook-Liang and Wong Suk in the first part of The Jade Peony | 第16-22页 |
| 4.1.1 The processes of identity transformation of Jook-Liang | 第16-20页 |
| 4.1.2 The process of identity transformation of Wong Suk | 第20-22页 |
| 4.2 The processes of identity transformation of Jung-Sum and Poh-Poh in the second part of The Jade Peony | 第22-27页 |
| 4.2.1 The process of identity transformation of Jung-Sum in the second part of The Jade Peony | 第22-25页 |
| 4.2.2 The process of identity transformation of Poh-Poh in the second part of The Jade Peony | 第25-27页 |
| 4.3 The processes of identity transformation of Sek-Lung and Father in the third part of The Jade Peony | 第27-29页 |
| 4.3.1 The process of identity transformation of Sek-Lung in the third part of The Jade Peony | 第27-28页 |
| 4.3.2 The process of identity transformation of Father in the third part of The Jade Peony | 第28-29页 |
| 4.4 The processes of identity transformation of Kiam-Kim, stepmother, and Poh-Poh in All That Matters | 第29-37页 |
| 4.4.1 The process of identity transformation of Kiam-Kim in All That Matter | 第29-32页 |
| 4.4.2 The process of identity transformation of stepmother and Poh-Poh in All That Matter | 第32-37页 |
| 5. The non-synchronous process of identity transformation of different generations of Chinese Canadians | 第37-41页 |
| 6. Conclusion | 第41-43页 |
| Works Cited | 第43-44页 |
