摘要 | 第1-5页 |
Abstract | 第5-9页 |
1 Introduction | 第9-12页 |
·Research background | 第9-10页 |
·Significance of the study | 第10-11页 |
·Layout of the thesis | 第11-12页 |
2 Theoretical Foundations and Literature Review | 第12-22页 |
·Theoretical foundations | 第12-17页 |
·Hofstede’s theory of cultural dimensions | 第12-14页 |
·Hall’s theory of cultural identity | 第14-15页 |
·Reshaping and integration in communication theory | 第15-17页 |
·Literature review | 第17-22页 |
·Domestic researches | 第17-19页 |
·Overseas researches | 第19-22页 |
3 Chinese Panda Image in Chinese and American Animated Movies | 第22-27页 |
·Little Big Panda | 第22-23页 |
·A brief introduction to Little Big Panda | 第22-23页 |
·Panda image as representation of Chinese culture | 第23页 |
·Kung Fu Panda 2 | 第23-27页 |
·A brief introduction to Kung Fu Panda 2 | 第23-25页 |
·Image of Chinese panda in Kung Fu Panda | 第25-27页 |
4 Analysis of Reshaping and Integration on Panda Image | 第27-38页 |
·Reshaping: from Chinese filial piety to American freedom culture | 第27-31页 |
·Introduction to filial piety and Western individual freedom | 第27-30页 |
·Analysis of the reshaping of the two values in Kung Fu Panda 2 | 第30-31页 |
·Integration: combing Chinese martial spirit with American individualistic heroism | 第31-38页 |
·Similarities between Chinese martial spirit & American individualistic heroism | 第31-35页 |
·Analysis of the integration of the two values in Kung Fu Panda | 第35-38页 |
5 Discussions | 第38-41页 |
·On nationalization in cultural expression of animations | 第38-39页 |
·On coexistence of different cultural values in cultural expression of animations | 第39-41页 |
6 Conclusion | 第41-42页 |
Bibliography | 第42-46页 |
Acknowledgments | 第46页 |