| 摘要 | 第1-7页 |
| Abstract | 第7-12页 |
| Introduction | 第12-24页 |
| Chapter 1 Whatness of Psychical Distance | 第24-43页 |
| ·Insertion of Psychical Distance | 第27-31页 |
| ·Antinomy of Psychical Distance | 第31-37页 |
| ·Variability of Psychical Distance | 第37-43页 |
| Chapter 2 Control of Psychical Distance in Characterization | 第43-60页 |
| ·The Doubling of Dorian Gray and the Picture | 第43-55页 |
| ·The Idealized Artist:Basil Hallward | 第55-60页 |
| Chapter 3 Control of Psychical Distance in Narration | 第60-78页 |
| ·Omniscient Narration | 第60-72页 |
| ·The Relations between Narrator,Author,and Implied Author | 第61-63页 |
| ·Covert and overt Commentary | 第63-67页 |
| ·The Adjustment of Angles of Viewpoints | 第67-72页 |
| ·Third-Person Limited Point of View of the Character | 第72-78页 |
| Chapter 4 Control of Psychical Distance between Art and Life | 第78-89页 |
| ·Distance Kept:Art Independent of Life | 第79-84页 |
| ·Distance Decreased:Life Imitating Art | 第84-89页 |
| Conclusion | 第89-91页 |
| Notes | 第91-92页 |
| Bibliography | 第92-97页 |
| Acknowledgements | 第97-98页 |
| 攻读学位期间主要的研究成果目录 | 第98页 |
