| Acknowledgements | 第5-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第8-11页 |
| Chapter One Introduction | 第11-24页 |
| 1.1 J.M. Coetzee: Writer and His Works | 第11-13页 |
| 1.2 Literature Review | 第13-17页 |
| 1.3 Theories of Body Writing | 第17-21页 |
| 1.4 J. M. Coetzee and D.H. Lawrence: Relationship and Influence | 第21-24页 |
| Chapter Two“Imitating”Lawrence’s Code of Chastity in Waiting for the Barbarians | 第24-37页 |
| 2.1 Lawrence’s Code of Chastity: Dark Core and the Integrated Self | 第24-27页 |
| 2.2 The Barbarian Girl’s Icy Sleep | 第27-33页 |
| 2.3 Failed Awakener: The Magistrate and His Dark Self | 第33-37页 |
| Chapter Three“Imitating”Lawrence’s Aesthetics of Disability in Foe | 第37-45页 |
| 3.1 Lawrence’s Aesthetics of Disability | 第37-38页 |
| 3.2 Tongueless Friday:“Incompleteness” | 第38-41页 |
| 3.3 Friday’s Dance and Music: Disabled Body’s Speech | 第41-45页 |
| Chapter Four“Imitating”Lawrence’s White Male Body Worship in Disgrace | 第45-56页 |
| 4.1 Lawrence’s Male Body Worship | 第45-47页 |
| 4.2 Incompetent Male Body: David Lurie | 第47-51页 |
| 4.3 Capable Black Male Body: Petrus | 第51-56页 |
| Chapter Five Conclusion | 第56-59页 |
| References | 第59-63页 |
