| 摘要 | 第5-6页 |
| ABSTRACT | 第6-7页 |
| Introduction | 第10-13页 |
| Chapter 1 Literature Review | 第13-17页 |
| 1.1 Sonia Sanchez’s Life Experience and Her Drama | 第13-15页 |
| 1.2 Review of Studies on Sonia Sanchez’s Drama | 第15-17页 |
| Chapter 2 The Development and Applications of Black FeministCriticism | 第17-24页 |
| 2.1 The Development of Black Feminist Criticism | 第17-20页 |
| 2.2 The Applications of Black Feminist Criticism | 第20-24页 |
| Chapter 3 Black Female's Traditional Images and the Formationof Black Female's Self-Consciousness | 第24-43页 |
| 3.1 Images of the Black Women as Victims | 第24-31页 |
| 3.1.1 The Oppressed Women | 第24-26页 |
| 3.1.2 The Silenced Women | 第26-28页 |
| 3.1.3 The Marginalized Women | 第28-31页 |
| 3.2 The Formation of Black Female's Self-Consciousness | 第31-43页 |
| 3.2.1 The Social and Cultural Background | 第31-35页 |
| 3.2.2 Black Female Consciousness under the Relationship between the BlackWomen and the Society | 第35-37页 |
| 3.2.3 Black Female Consciousness on the“Can-be-Awakened”Black Women | 第37-40页 |
| 3.2.4 Black Female Consciousness on the Black Women with Love | 第40-43页 |
| Chapter 4 The Reconstruction of Black Women Images in SoniaSanchez's Drama | 第43-59页 |
| 4.1 The Ways to Reconstruct Black Female Images | 第43-50页 |
| 4.1.1 The Employment of Militant Language | 第43-45页 |
| 4.1.2 The Use of Irony | 第45-48页 |
| 4.1.3 Special Ways of Afro-American Expression | 第48-50页 |
| 4.2 New Images of Black Female | 第50-59页 |
| 4.2.1 The Empowered Black Women | 第50-54页 |
| 4.2.2 The Independent Women | 第54-56页 |
| 4.2.3 The Black Women with Self-Identity | 第56-59页 |
| Conclusion | 第59-62页 |
| Bibliography | 第62-67页 |
| Acknowledgements | 第67-68页 |
| Appendix | 第68页 |
| 攻读学位期间发表的学术论文及主持参加的科研项目 | 第68-69页 |
| 详细摘要 | 第69-71页 |
