| ABSTRACT (ENGLISH) | 第1-8页 |
| ABSTRACT (CHINESE) | 第8-13页 |
| CHAPTER I. INTRODUCTION | 第13-40页 |
| A. A Brief Introduction to the Chinese American Women in History | 第13-17页 |
| B. A Brief Introduction to Maxine Hong Kingston, Gish Jen and the Two Novels | 第17-23页 |
| 1. A Brief Introduction to Maxine Hong Kingston and The Woman Warrior | 第17-19页 |
| 2. A Brief Introduction to Gish Jen and Mona in the Promised Land | 第19-23页 |
| C. A Brief Introduction to the Theory of Gender and Racial Performativity | 第23-37页 |
| 1. A Brief Introduction to the Theory of Gender and Butler’s GenderPerformativity | 第23-32页 |
| 2. A Brief Introduction to Racial Performativity | 第32-37页 |
| D. Thesis Statement | 第37-40页 |
| CHAPTER Ⅱ. GENDER PERFORMATIVITY IN THE WOMAN WARRIOR | 第40-55页 |
| A. Performing the Patriarchal Gender Stereotype of Femininity | 第41-49页 |
| 1. No Name Woman: Performing as a Non-being Who is a Sacrifice ofPatriarchy | 第41-43页 |
| 2. Moon Orchid: Performing the Imposed Silence and Alienating herself | 第43-46页 |
| 3. The Second Generation Daughters: Performing Gender Stereotypes underBoth China Town’s Misogyny and White Society’s Domination | 第46-49页 |
| B. Performing Masculinities as a Resistance to Gender Stereotypes | 第49-55页 |
| 1. Mulan: Disguising Herself as a Man to Fight against Sexism | 第49-51页 |
| 2. Brave Orchid: Mother Model and Independent Housewife Performing MoreMasculinity than Femininity | 第51-55页 |
| CHAPTER Ⅲ. RACIAL PERFORMATIVITY IN MONA IN THE PROMISED LAND | 第55-78页 |
| A. Mona’s Racial Performativity | 第56-64页 |
| 1. Mona as a Chinese Girl | 第57-59页 |
| 2. Mona as a Jewish-Chinese Girl | 第59-62页 |
| 3. Mona as a Mature American Mother | 第62-64页 |
| B. Mona’s Parents’ Racial Performativity | 第64-70页 |
| 1. Ralph and Helen: Performing Dual Identity | 第64-68页 |
| 2. Callie: Performing Chinese Identity | 第68-70页 |
| C. Mona’s Peer’s Racial Performativity | 第70-78页 |
| 1. Seth: Performing between Jewish, Japanese and American Identity | 第70-74页 |
| 2. Sherman: Performing Racial Identity from Japanese to American | 第74-78页 |
| CHAPTER Ⅳ. RELATIONSHIP BETWEEN GENDER AND RACIALPERFORMATIVITY IN THE TWO NOVELS | 第78-89页 |
| A. Gender and Racial Performativity of Chinese American Woman BraveOrchid in The Woman Warrior | 第79-82页 |
| B. Gender and Racial Performativity of Chinese American Man: Ralph andElver in Mona in the Promised Land | 第82-89页 |
| CHAPTER Ⅴ. CONCLUSION | 第89-92页 |
| A. Main Findings | 第89-91页 |
| B. Implication of This Thesis | 第91页 |
| C. Limitations and Suggestions | 第91-92页 |
| WORKS CITED | 第92-95页 |
| ACKNOWLEDGEMENTS | 第95页 |
