| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-16页 |
| Chapter One Poetic Iconicity: Sustainability Acquired by Individualized Interpretation | 第16-28页 |
| A. Reader’s Helpless Drifting with Shapeless Snowflake | 第17-19页 |
| B. Reader’s Anxiety and Relief through the Photo-taking Eyes | 第19-22页 |
| C. Reader’s Emotional Vicissitudes with the Fallen Ginkgo Leave | 第22-25页 |
| D. Reader’s Confinement and Transcending of Sandglass | 第25-28页 |
| Chapter Two Intertextuality and Sustainability: Reproductivity Acquired by Reflection | 第28-43页 |
| A. First Reflection: Picturing Hazel’s Relief in The Four Quartets | 第29-31页 |
| B. Second Reflection: Pouring New Wines in the Popian Classics | 第31-34页 |
| C. Third Reflection: Questing Truth in Toughened Conan Doyle Mysteries | 第34-38页 |
| D. Fouth Reflection: Voicing for the L’autre in Roland Barthes Works | 第38-43页 |
| Chapter Three Artistic Work Transcending Death | 第43-59页 |
| A. Butterfly: Death Herald | 第43-46页 |
| B. Quest for Exit of Death | 第46-50页 |
| C. Butterfly: Incarnation of Life Circle of Author | 第50-51页 |
| D. Butterfly: Incarnation of Life Circle of Work | 第51-53页 |
| E. Transcending Author’s Death with Reader Participation | 第53-55页 |
| F. Transcending Work’s Death with Innate Aesthetic Value | 第55-59页 |
| Conclusion | 第59-61页 |
| Works Cited | 第61-63页 |
