| Abstract | 第1-8页 |
| 摘要 | 第8-10页 |
| Chapter One Introduction | 第10-15页 |
| ·William Faulkner and his Works | 第10-12页 |
| ·A brief Introduction to The Sound and the Fury | 第12-13页 |
| ·The research of the article | 第13-15页 |
| Chapter Two Literature Review of the Researches on The Sound and the Fury abroad | 第15-20页 |
| ·Researches abroad | 第15-18页 |
| ·Researches at home | 第18-20页 |
| Chapter Three Theoretical Framework | 第20-28页 |
| ·The function of Freudian Psychoanalysis Exploited in the Analysis of Literature | 第20-21页 |
| ·Freud’s Tripartite Personality Structure | 第21-28页 |
| ·Id, Ego and Super-ego | 第21-23页 |
| ·Oedipus Complex and personality structure | 第23-25页 |
| ·Trauma and Personality Structure | 第25-28页 |
| Chapter Four The Tripartite Personality Structure of Three Brothers in The Sound and the Fury | 第28-51页 |
| ·Benjy Compson and his tripartite personality structure | 第28-34页 |
| ·Benjy’s objectively repressed Id | 第28-30页 |
| ·Benjy’s silent Ego | 第30-33页 |
| ·Benjy’s over-soul Super-ego | 第33-34页 |
| ·Quentin Compson and his tripartite personality structure | 第34-42页 |
| ·Quentin’s paternally inherited Id | 第34-36页 |
| ·Quentin his romantic Ego | 第36-39页 |
| ·Quentin’s rigid Super-ego | 第39-42页 |
| ·Jason Compson and his tripartite personality structure | 第42-51页 |
| ·Jason’s maternally inherited Id | 第42-44页 |
| ·Jason’s traumatized Ego | 第44-48页 |
| ·Jason’s distorted Super-ego | 第48-51页 |
| Chapter Five The Roots of the Brothers’ Psychological Personality Conflicts | 第51-56页 |
| ·The brothers’ backdrops as the roots | 第51-53页 |
| ·Their historical and cultural backdrop | 第51-52页 |
| ·Their economical backdrop | 第52-53页 |
| ·The writer’s mind as the root | 第53-56页 |
| ·The writer’s writing state as the root | 第53-54页 |
| ·The writer’s writing purpose as the root | 第54-56页 |
| Chapter Six Conclusion | 第56-59页 |
| Bibliography | 第59-63页 |
| Acknowledgements | 第63页 |