| 摘要 | 第1-5页 |
| Abstract | 第5-8页 |
| Chapter One Introduction | 第8-11页 |
| ·Background and Purpose of the Research | 第8-9页 |
| ·Significance and Questions of the Research | 第9-10页 |
| ·Methodology of the Research | 第10页 |
| ·Organization of the Thesis | 第10-11页 |
| Chapter Two Literature Review | 第11-18页 |
| ·Previous Studies on Wong Kar-wai's Film | 第11-13页 |
| ·Previous Studies on Multimodal Discourse Analysis | 第13-18页 |
| Chapter Three Theoretical Framework | 第18-25页 |
| ·Functional Grammar of Halliday | 第18-19页 |
| ·Visual Grammar of Kress and Van Leeuwen | 第19-24页 |
| ·A Proposed Framework for Analyzing the Film | 第24-25页 |
| Chapter Four Modalities and Relations among Modalities of the Film | 第25-33页 |
| ·An Introduction to the Film | 第25-26页 |
| ·Analysis of the Modalities in this Film | 第26-29页 |
| ·Analysis of the Relations among Modalities | 第29-33页 |
| Chapter Five Multimodal Meanings Analysis of the Film | 第33-62页 |
| ·Analysis of the Representational Meaning | 第33-40页 |
| ·Analysis of the Interactive Meaning | 第40-54页 |
| ·Analysis of the Compositional Meaning | 第54-58页 |
| ·A Synthetic Analysis | 第58-62页 |
| Chapter Six Conclusion | 第62-64页 |
| ·Major Findings | 第62-63页 |
| ·Limitations and Suggestions for Further Research | 第63-64页 |
| Bibliography | 第64-66页 |
| Acknowledgements | 第66-67页 |
| 个人简历 | 第67页 |
