| Abstract | 第1-5页 |
| 中文摘要 | 第5-8页 |
| Chapter One Introduction | 第8-15页 |
| ·The Life of Oscar Wilde | 第8-9页 |
| ·The Criticism of Wilde and The Picture of Dorian Gray | 第9-11页 |
| ·The Cultural Studies of Wilde’s Works in China and Abroad | 第11-13页 |
| ·The Methodology and Significance of My Study | 第13-15页 |
| Chapter Two The Consumer Culture in Victorian Age | 第15-20页 |
| ·The Definitions of Consumption and Consumer Culture | 第15-17页 |
| ·The Background of Victorian Consumer Society | 第17-20页 |
| Chapter Three The Convergence Between Aestheticism and Consumerism in The Picture of Dorian Gray | 第20-31页 |
| ·Artistic Utopia: the Palace of Consumption | 第20-24页 |
| ·Aesthetic Body: a Kind of Consumer Object | 第24-27页 |
| ·Individual’s Self-realization through Sensual Pleasure | 第27-31页 |
| Chapter Four The Consumerist Lifestyles of Wildean Dandy-aesthetes | 第31-43页 |
| ·Pater's Epicureanism and Wilde's Dandyism | 第32-35页 |
| ·Henry Wotton: An Apostle of Hedonism | 第35-37页 |
| ·Dorian Gray: the Son of Beauty, Desire and Death | 第37-40页 |
| ·Sybil Vane: Self-representation through Art | 第40-43页 |
| Chapter Five The Dual Meanings for the Portrait of Dorian Gray | 第43-48页 |
| ·A Mirror to Display the Spectacular Beauty | 第43-44页 |
| ·A Mask of the Second Self | 第44-48页 |
| Conclusion: Doubts and Inevitableness of Consumer Culture | 第48-51页 |
| Bibliography | 第51-54页 |
| Acknowledgement | 第54-55页 |
| 攻读硕士期间发表的论文目录 | 第55页 |
