| Acknowledgements | 第3-4页 |
| 摘要 | 第4-7页 |
| Abstract | 第7-10页 |
| List of Abbreviation | 第11-14页 |
| Introduction | 第14-31页 |
| Chapter One Scientific and Aesthetic Literary Criticism | 第31-67页 |
| 1.1 Scientific Literary Criticism | 第32-43页 |
| 1.2 Aesthetic Literary Criticism | 第43-45页 |
| 1.3 Reflection on the Conflict by the Fin-de-siècle Critics | 第45-51页 |
| 1.4 Scientific Criticism in the Twentieth Century and Two Aesthetic Critics | 第51-67页 |
| Chapter Two Belsey's Idelogical Criticism: A Scientific Commencement | 第67-104页 |
| 2.1 Realism and Symptomatic Reading | 第69-82页 |
| 2.2 Renaissance Drama and Denaturalization | 第82-97页 |
| 2.3 Ideological Criticism as Scientific Criticism | 第97-104页 |
| Chapter Three Belsey's Desiring Reader: A Transitional Stage | 第104-136页 |
| 3.1 Lacan's Concept of Desire | 第105-109页 |
| 3.2 Trompe-l'oeil and the Desire of the Poetical Reader | 第109-123页 |
| 3.3 The Void and the Desire of the Pictorial Reader | 第123-131页 |
| 3.4 The Desiring Reader as Scientific Criticism | 第131-136页 |
| Chapter Four Belsey's Shakespeare: Towards Aesthetic Criticism | 第136-159页 |
| 4.1 Personal Evocation | 第138-144页 |
| 4.2 Immersion in the Prior Experiences | 第144-146页 |
| 4.3 Connection to Emotional Responses | 第146-152页 |
| 4.4 Stimulation of Imagination | 第152-159页 |
| Conclusion | 第159-165页 |
| Bibliography | 第165-174页 |
| 博士在读期间发表的论文 | 第174-176页 |
