| 摘要 | 第3-5页 |
| ABSTRACT | 第5-6页 |
| INTRODUCTION | 第8-13页 |
| CHAPTER ONE GNEERAL IDEAS OF NEW HISTORICISM | 第13-17页 |
| 1.1 BASIC HISTORICAL VIEWS OF NEW HISTORICISM | 第13-14页 |
| 1.2 NEW HISTORICISM AND POWER THEORY | 第14-17页 |
| CHAPTER TWO THEMASSACRE AND THE CREATION OFTHE NOVEL | 第17-27页 |
| 2.1 THE DRESDEN BOMBING AND THE PLOT IN SLAUGHTEHOUSE FIVE | 第17-18页 |
| 2.2 THE CONTEXT OF SLAUGHTERHOUSE FIVE | 第18-21页 |
| 2.2.1 Media, Cultural Memory and History | 第18-20页 |
| 2.2.2 Rumfoord: Writer of the Official History | 第20-21页 |
| 2.3 NEW WAYS OF NOVEL READING | 第21-27页 |
| 2.3.1 The Author and the Main Character | 第22-24页 |
| 2.3.2 Meta-fiction and the Discourse Structure of the Novel | 第24-27页 |
| CHAPTER THREE THE NOVEL'S CONSTRUCTION OFHISTORY | 第27-42页 |
| 3.1 NARRATIVE MODES IN SLAUGHTERHOUSE FIVE | 第27-34页 |
| 3.1.1 Extraterrestrial Narrative | 第27-29页 |
| 3.1.2 Personalized Historical Perspective | 第29-31页 |
| 3.1.3 Concealed Aspirations | 第31-33页 |
| 3.1.4 Space and Time of History | 第33-34页 |
| 3.2 INDIVIDUALITY AND INDIVIDUAL MEMORY IN THE NOVEL | 第34-38页 |
| 3.2.1 War, Memory and Imagination | 第34-37页 |
| 3.2.2 Official History Writing and Individual Memory | 第37-38页 |
| 3.3 FICTIONALIZED HISTORY | 第38-42页 |
| 3.3.1 Deconstruction of the Relation between History and Fiction by Text | 第38-39页 |
| 3.3.2 Transcending of Historical Text by Fiction | 第39-42页 |
| CHAPTER FOUR POLITICAL CRITICISM IN THE NOVEL | 第42-46页 |
| 4.1 POLITICAL CONNOTATIONS OF PLANET TRALFAMADORE | 第42-43页 |
| 4.2 BLACK HUMOR AND THE LOSS OF HEROISM | 第43-46页 |
| CONCLUSION | 第46-47页 |
| ACKNOWLEDGEMENTS | 第47-48页 |
| WORKS CITED | 第48-49页 |
