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一曲狂欢之歌--狂欢理论下的《喧器与骚动》

Acknowledgements第6-7页
Abstract第7页
摘要第8-11页
Chapter 1 INTRODUCTION第11-16页
    1.1 William Faulkner and The Sound and the Fury第11-13页
    1.2 Structure of the Thesis第13-14页
    1.3 Significance of the Present Research第14-16页
Chapter 2 LITERATURE REVIEW第16-24页
    2.1 Research at Home and Abroad on The Sound and the Fury第16-21页
    2.2 Carnival Theory第21-24页
Chapter 3 SUBVERSIVE CARNIVALIZED CHARACTERIZATION第24-35页
    3.1 Subversion in Paired Images第24-29页
        3.1.1 Subverting southern gentlemen第24-26页
        3.1.2 Subverting southern belle第26-29页
    3.2 Subversion in Typical Carnival Characters第29-35页
        3.2.1 The status quo mirrored in a born fool第29-31页
        3.2.2 The victim of falling aristocracy reflected in a cruel cheat第31-32页
        3.2.3 The defender of patriarchy demonstrated by a lamentable clown第32-35页
CHAPTER 4 SUBVERSIVE CARNIVALIZED LANGUAGE ANDNARRATION第35-46页
    4.1 Subverting the Formal English of the Upper Class第35-38页
        4.1.1 Blending dialect and other languages第35-37页
        4.1.2 Profanation and parody in carnival language第37-38页
    4.2 Subverting Chronological Narration—Carnival Time and Space第38-46页
        4.2.1 Stream of consciousness第39-42页
        4.2.2 Nonlinear narrative第42-46页
CHAPTER 5 SUBVERSIVE CARNIVAL RITUAL第46-55页
    5.1 Crowning and Decrowning of Hierarchy第46-50页
        5.1.1 Upper class vs.lower class in economy第46-48页
        5.1.2 Upper class vs.lower class in their respective stereotypes第48-50页
    5.2 Crowning and Decrowning of Morality第50-55页
        5.2.1 Angelic sister vs.fallen woman第50-52页
        5.2.2 Responsible man vs.useless coward第52-55页
Chapter 6 CONCLUSION第55-58页
References第58-62页

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