| Acknowledgements | 第1-5页 |
| 中文摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| 中文提要 | 第7-9页 |
| Synopsis | 第9-14页 |
| Introduction | 第14-25页 |
| ·Research Data | 第14-16页 |
| ·A General Introduction to Doris Lessing | 第14-15页 |
| ·The Theme of The Grass Is Singing | 第15-16页 |
| ·Literature Review | 第16-19页 |
| ·Literature Review Abroad | 第16-18页 |
| ·Literature Review at Home | 第18-19页 |
| ·The Objectives of this Thesis | 第19-20页 |
| ·Research Methodology of this Thesis | 第20-22页 |
| ·The Significance of this Thesis | 第22-23页 |
| ·The Layout of this Thesis | 第23-25页 |
| Chapter 1 Theoretical Basis of the Thesis | 第25-45页 |
| ·The Origin of the Theory of Feminist Stylistics | 第25-30页 |
| ·The Development from Stylistics to Feminist Stylistics | 第25-27页 |
| ·Impact of Classical Feminist Works and Movements on the Construction of Feminist Stylistics | 第27-29页 |
| ·The Impact of Critical Linguistics on the Construction of Feminist Stylistics | 第29-30页 |
| ·An Introduction to Feminist Stylistics and its Basics | 第30-35页 |
| ·A Brief Introduction to the Theory of Feminist Stylistics | 第30-32页 |
| ·A Typical Model of Text from the Perspective of Feminist Stylistics | 第32-33页 |
| ·The Important Function of Reading from the Perspective of Feminist Stylistics | 第33-35页 |
| ·Major Analytic Tools Employed by Feminist Stylistics | 第35-44页 |
| ·Metaphor and Simile as an Analytic Tool in Feminist Stylistics | 第36-38页 |
| ·Metaphor and Simile as an analytic Tool from the Perspective of Traditional Stylistics | 第36-37页 |
| ·Metaphor and Simile as an Analytic Tool from the Perspective of Feminist Stylistics24 | 第37-38页 |
| ·Transitivity Choices as an Analytic Tool in Feminist Stylistics | 第38-41页 |
| ·Transitivity Choices as an Analytic Tool from the Perspective of Traditional Stylistics | 第38-40页 |
| ·Transitivity Choices as an Analytic Tool from the Perspective of Feminist Stylistics | 第40-41页 |
| ·Focalization as an Analytic Tool in Feminist Stylistics | 第41-44页 |
| ·Focalization as an Analytic Tool from the Perspective of Traditional Stylistics | 第41-42页 |
| ·Focalization as an Analytic Tool from the Perspective of Feminist Stylistics | 第42-44页 |
| ·Summary of this Chapter | 第44-45页 |
| Chapter 2 Feminist Stylistic Analysis of The Grass Is Singing on the Lexical Level | 第45-61页 |
| ·The First Person Pronouns and Gender Roles in The Grass Is Singing | 第46-56页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Other White People as a Group | 第47-50页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and the Dominating White Group | 第47-49页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Her Friends in Town | 第49-50页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Dick | 第50-53页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Dick Shortly after Their Marriage | 第50-51页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Dick Years after Their Marriage | 第51-53页 |
| ·The First Person Pronouns Revealing the Relationship between Mary and Moses | 第53-56页 |
| ·Gender-specific Personal Names and Terms of Address in The Grass Is Singing | 第56-59页 |
| ·Gender-specific Ways in Which Mary and Dick are Named and Addressed | 第56-58页 |
| ·Gender-specific Ways in Which Mary and Dick are Named | 第56-57页 |
| ·Gender-specific Ways in Which Mary and Dick are Addressed | 第57-58页 |
| ·Naming and Addressing Practice with Political Hints for the Natives in The Grass Is Singing | 第58-59页 |
| ·Summary of this Chapter | 第59-61页 |
| Chapter 3 Analysis of The Grass Is Singing from the Perspective of Transitivity | 第61-74页 |
| ·Typical Transitivity Choices Suggesting Mary’s Passivity to Others before her Marriage | 第62-66页 |
| ·Typical Transitivity Choices Suggesting Mary’s Passivity to Dick after her Marriage | 第66-68页 |
| ·Typical Transitivity Choices Suggesting Mary’s Passivity to Moses | 第68-72页 |
| ·Typical Transitivity Choices Suggesting Mary’s Pretentious Superiority to Moses | 第68-70页 |
| ·Typical Transitivity Choices Suggesting Mary’s Obedience to Moses | 第70-72页 |
| ·Summary of this Chapter | 第72-74页 |
| Chapter 4 Analysis of The Grass Is Singing from the Perspective of Metaphor | 第74-83页 |
| ·Similes Reflecting the Hierarchy of the Colonial African Society and Gender Roles in The Grass Is Singing | 第74-77页 |
| ·Extended Metaphors Reflecting the Repressive African Colonial Society and Gender Roles in The Grass Is Singing | 第77-80页 |
| ·Similes, Metaphors Reflecting Distinctive Cognition and Mind Style of Repressed Mary in The Grass Is Singing | 第80-82页 |
| ·Summary of this Chapter | 第82-83页 |
| Chapter 5 Narrative Focalization in The Grass Is Singing | 第83-96页 |
| ·Narrative Focalization from the White Males’ Perspective in The Grass Is Singing | 第83-88页 |
| ·Narrative Focalization from the Dominant White Males’ Perspective in The Grass Is Singing | 第84-86页 |
| ·Narrative Focalization from Tony’s Perspective in The Grass Is Singing | 第86-88页 |
| ·Narrative Focalization from Mary’s Perspective in The Grass Is Singing | 第88-90页 |
| ·Shifts of Focalization in The Grass Is Singing | 第90-95页 |
| ·Shifts of Focalization between Mary and Dick | 第91-93页 |
| ·Shifts of Focalization between Mary and Moses | 第93-95页 |
| ·Summary of this Chapter | 第95-96页 |
| Conclusion | 第96-99页 |
| Bibliography | 第99-103页 |
| 个人简历 | 第103页 |
