| Acknowledgements | 第1-6页 |
| 中文摘要 | 第6-7页 |
| Abstract | 第7-9页 |
| Contents | 第9-11页 |
| 1. Introduction | 第11-21页 |
| ·Mansfield's life and literary creation | 第11-13页 |
| ·Literature review | 第13-18页 |
| ·Sociohistorical criticism | 第18-21页 |
| ·The main ideas of sociohistorical criticism | 第19页 |
| ·The judgment standards of sociohistorical criticism | 第19-21页 |
| 2. The Writing Background of Mansfield's Six Short Stories with Male Protagonists | 第21-28页 |
| ·The social changes | 第21-22页 |
| ·The literary movements and Mansfield's writing ideas | 第22-24页 |
| ·The Particular circumstances of writing these six short stories | 第24-28页 |
| 3. The Authenticity Standard of Sociohistorical Criticism Reflected in Mansfield'sSix Short Stories with Male Protagonists | 第28-39页 |
| ·The writer's description of lonely men in these six short stories | 第28-36页 |
| ·Loneliness of the man having no fixed job | 第28-30页 |
| ·Loneliness of the man as a bread-winner | 第30-34页 |
| ·Loneliness of the man as an independent artist | 第34-35页 |
| ·Loneliness of the man as a retiree | 第35-36页 |
| ·The distorted atmosphere created in these six short stories | 第36-39页 |
| ·From the perspective of rhetorical devices | 第36-37页 |
| ·From the perspective of key details | 第37-39页 |
| 4. The Tendency and Social Impact Standards of Sociohistorical Criticism Reflectedin Mansfield's Six Short Stories with Male Protagonists | 第39-42页 |
| ·The tendency standard reflected in these six short stories | 第39-40页 |
| ·The subversion of Mansfield's independent female images | 第39-40页 |
| ·The subversion of Mansfield's authoritative male images | 第40页 |
| ·The social impact standard reflected in these six short stories | 第40-42页 |
| ·An authentic revelation of modern world | 第40-41页 |
| ·A useful lesson in forming good values of life | 第41-42页 |
| 5. Conclusion | 第42-44页 |
| Bibliography | 第44-45页 |
