| Abstracts | 第1-10页 |
| 摘要 | 第10-14页 |
| Abbreviations | 第14-16页 |
| Introduction | 第16-39页 |
| 1.A Brief History of Japanese Americans | 第16-25页 |
| 2.Japanese American Writers:An Overview | 第25-31页 |
| 3.Theoretical Sources and Structure Framework | 第31-39页 |
| Chapter 1 Toshio Mori's Panorama of Japanese America | 第39-61页 |
| 1.Toshio Mori:Life and Works | 第39-42页 |
| 2.A Panorama of Japanese America in Yokohama,California | 第42-55页 |
| 3.Mori's Language and Debt to Sherwood Anderson | 第55-61页 |
| Chapter 2 The Politics of Gender,Class and Race in Hisaye Yamamoto's Fiction | 第61-89页 |
| 1.Hisaye Yamamoto:Life and Works | 第61-64页 |
| 2.Failed Men and Women in Yamamoto's Stories | 第64-75页 |
| 3.Racial Cross-Sightings in Yamamoto's Stories | 第75-82页 |
| 4.How Did Yamamoto Embroider Her Stories? | 第82-89页 |
| Chapter 3 A Post-Traumatic Melodrama in John Okada's No-No Boy | 第89-113页 |
| 1.John Okada:Life and Work | 第89-91页 |
| 2.Japanese or American:An Imposed Binary Opposition | 第91-102页 |
| 3.Racism and Social Reconciliation in No-No Boy | 第102-107页 |
| 4.The Interior Monologue in No-No Boy | 第107-113页 |
| Chapter 4 A Saga of Japanese in and beyond Hawaiian Plantations in Milton Murayama's Tetralogy | 第113-146页 |
| 1.Sugar Plantation and Non-Internment:Japanese in Hawaii | 第113-116页 |
| 2.Milton Murayama:Life and Works | 第116-121页 |
| 3.The Politics of Labor and Race in Murayama's Novels | 第121-131页 |
| 4.Freedom and Class Struggle in All I Asking for Is My Body | 第131-139页 |
| 5.The Politics of Pidgin in All I Asking for Is My Body | 第139-146页 |
| Conclusion | 第146-157页 |
| Works Cited | 第157-174页 |
| Index | 第174-178页 |
| Acknowledgement | 第178-179页 |
