| Acknowledgements | 第1-5页 |
| English Abstract | 第5-6页 |
| Chinese Abstract | 第6-7页 |
| Part Ⅰ: Introduction | 第7-8页 |
| Part Ⅱ: Deconstruction and Deconstructive Narration | 第8-16页 |
| ·Deconstruction | 第8页 |
| ·Darridean concept of différance, the linear development of deconstruction, and his concept of Center-Play, the spatial development of deconstruction | 第8-12页 |
| ·Discourse in Deconstructive Narration | 第12-16页 |
| Part Ⅲ: Deconstructive narration in The Sound And The Fury | 第16-48页 |
| ·Narrator in Deconstruction | 第16-26页 |
| ·Modern narrator and traditional narrator | 第16-17页 |
| ·The testimony to the graduality by the juxtaposition of modern and traditional narrator in The Sound And The Fury | 第17-23页 |
| ·Narrator in deconstruction in The Sound And The Fury and its significance | 第23-26页 |
| ·Point of View in Deconstruction | 第26-36页 |
| ·Modern focalization and traditional one | 第26-29页 |
| ·The testimony to the graduality by the juxtaposition of modern and traditional point of view in The Sound And The Fury | 第29-33页 |
| ·Point of view in deconstruction in The Sound And The Fury and its significance | 第33-36页 |
| ·Narrative Time in Deconstruction | 第36-48页 |
| ·Graduality by the juxtaposition of modern and traditional chronology and chronology in deconstruction in The Sound And The Fury | 第36-42页 |
| ·Graduality by the juxtaposition of modern and traditional rhythm and the rhythm in deconstruction in The Sound And The Fury | 第42-45页 |
| ·Graduality by the juxtaposition of modern and traditional frequency and frequency in deconstruction in The Sound And The Fury | 第45-48页 |
| Part Ⅳ: Conclusion | 第48-50页 |
