首页--文学论文

索因卡戏剧中的约鲁巴殉葬文化研究--以《强种》和《死亡与国王的马夫》为例

摘要第5-6页
ABSTRACT第6-7页
Introduction第10-13页
Chapter 1 Literature Review第13-22页
    1.1 Brief Biography of Wole Soyinka第13-16页
    1.2 Related Studies at Home and Abroad第16-22页
        1.2.1 Studies of Post-colonial Culture第17-18页
        1.2.2 Studies of Language Features in Drama第18-19页
        1.2.3 Studies of Religion in Drama第19-22页
Chapter 2 Culture of “Being Buried Alive” in Yoruba's Myths第22-42页
    2.1 Cultural Reasons for “Being Buried Alive”第22-30页
        2.1.1 Geographical Location and Social Customs第22-26页
        2.1.2 Variety of Thanatopsis第26-29页
        2.1.3 Worships of Ancestors第29-30页
    2.2 Cultural Characteristics of “Being Buried Alive” in Yoruba第30-42页
        2.2.1 Harmony between Human and Nature第31-34页
        2.2.2 Unity between Family and Tribe第34-38页
        2.2.3 Embodiment of Social Division of Labor第38-42页
Chapter 3 Afrocentrism in Soyinka's Plays第42-60页
    3.1 Afrocentrism in Soyinka's Early Playwriting―Analysis on Eman第42-49页
        3.1.1 Background of “Being Buried Alive” in The Strong Breed第43-45页
        3.1.2 Analysis of Eman in Culture of “Being Buried Alive”第45-49页
    3.2 Afrocentrism in the Late Stages of Soyinka's Writing―Analysis on Olunde第49-60页
        3.2.1 Background of “Being Buried Alive” in Death and the King's Horseman第50-55页
        3.2.2 Analysis of Olunde in Culture of “Being Buried Alive”第55-60页
Conclusion第60-62页
Bibliography第62-65页
Acknowledgements第65-66页
Appendix 攻读学位期间发表的学术论文及主持参加的科研项目第66-67页
详细摘要第67-75页

论文共75页,点击 下载论文
上一篇:论《小杜丽》中的空间政治
下一篇:后殖民理论视角下索因卡戏剧中他者的研究--以《狮子与宝石》和《死亡与国王的侍从》为例