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《小世界》的元小说解读

摘要第6-7页
Abstract第7-8页
Introduction第9-18页
    0.1 Introduction of David Lodge and Small World第9-13页
    0.2 Literature Review第13-16页
    0.3 Thesis Statement第16-18页
Chapter One Metafictional Theory第18-28页
    1.1 Definition of Metafiction第18-20页
    1.2 Origin and Development of Metafictional Theory第20-22页
    1.3 Features and Principles of Metafictional Theory第22-28页
        1.3.1 Metafictional Principles第22-23页
        1.3.2 Metafictional Features第23-28页
Chapter Two Narrative Forms of Metafiction in Small World第28-42页
    2.1 The Intrusive Author in Small World第28-32页
        2.1.1 The Omniscient Narrative Perspective第28-30页
        2.1.2 The Intrusive Language第30-32页
    2.2 Dialogism in Small World第32-38页
        2.2.1 Dialogue between American and English Culture第33-36页
        2.2.2 Dialogue between Highbrow and lowbrow Culture第36-38页
    2.3 Collage in Small World第38-42页
        2.3.1 Fragment Collage第38-40页
        2.3.2 Text Collage第40-42页
Chapter Three Narrative Strategies of Metafiction in Small World第42-59页
    3.1 The Employment of Language Play第42-46页
        3.1.1 The Language Game第42-44页
        3.1.2 The Textual Play第44-46页
    3.2 The Usage of Intertextuality第46-59页
        3.2.1 Textual Intertextuality第46-55页
        3.2.2 Realistic Intertextuality第55-59页
Chapter Four Narrative Techniques of Metafiction in Small World第59-77页
    4.1 Disordered Narrative Time第59-63页
        4.1.1 The Employment of Internal and External Analepses第59-61页
        4.1.2 Repetition of the Sounds and Actions第61-63页
    4.2 Juxtaposed Narrative Space第63-68页
        4.2.1 Juxtaposition of Simultaneity第63-65页
        4.2.2 Juxtaposition of Multiple Story Lines第65-68页
    4.3 Embedded Narrative Structure第68-74页
        4.3.1 Insertion of Literary Theories第68-73页
        4.3.2 Insertion of stories第73-74页
    4.4 Open Ending第74-77页
Conclusion第77-79页
Notes第79-84页
Bibliography第84-87页
攻读硕士学位期间所发表的学术论文第87-89页
Acknowledgements第89页

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