| Abstract | 第3页 |
| 摘要 | 第4-5页 |
| Contents | 第5-6页 |
| Introduction | 第6-9页 |
| Part 1 Literature Review | 第9-15页 |
| 1.1 Studies Abroad | 第9-12页 |
| 1.2 Studies at Home | 第12-15页 |
| Part 2 Comic Techniques in Love's Labours' Lost | 第15-40页 |
| 2.1 Comic Techniques Represented in Deeds | 第16-29页 |
| 2.1.1 Contradiction | 第16-19页 |
| 2.1.2 Misunderstanding | 第19-21页 |
| 2.1.3 Dramatic Irony | 第21-25页 |
| 2.1.4 Disguise | 第25-29页 |
| 2.2 Comic Techniques Represented in Words | 第29-40页 |
| 2.2.1 Synonym | 第29-33页 |
| 2.2.2 Pun | 第33-36页 |
| 2.2.3 Malapropism | 第36-38页 |
| 2.2.4 Quibble | 第38-40页 |
| Part 3 Originality of Comic Techniques in Love's Labour's Lost Comparedwith Shakespeare's Early Comedies | 第40-51页 |
| 3.1 Originality of Comic Techniques in Love's Labour's Lost Compared with The Comedy of Errors | 第40-45页 |
| 3.2 Originality of Comic Techniques in Love's Labour's Lost Compared with The Taming of the Shrew | 第45-49页 |
| 3.3 The Introduction of "Fool" or "Clown" into Love's Labour's Lost | 第49-51页 |
| Conclusion | 第51-53页 |
| Works Cited | 第53-58页 |
| Acknowledgements | 第58页 |
