| Acknowledgements | 第6-7页 |
| Abstract | 第7-8页 |
| 摘要 | 第9-12页 |
| Introduction | 第12-17页 |
| Chapter One Slaughterhouse-Five and Narrative Theories | 第17-25页 |
| 1.1 Studies on Slaughterhouse-Five | 第17-19页 |
| 1.2 Development of Narratology | 第19-22页 |
| 1.3 From Narrative to Anti-narrative | 第22-25页 |
| Chapter Two Non-linear Narrative and its Representation in Slaughterhouse-Five | 第25-36页 |
| 2.1 Development of Time Conception and Corresponding World Outlook | 第25-26页 |
| 2.2 Changing Time Perception in Literature | 第26-27页 |
| 2.3 Non-linear Narrative in Slaughterhouse-Five | 第27-33页 |
| 2.4 Function of Non-linear Narrative | 第33-36页 |
| Chapter Three Anti-narrative Techniques in Slaughterhouse-Five | 第36-43页 |
| 3.1 Authorial Intrusion | 第36-38页 |
| 3.2 Narrative Repetition | 第38-41页 |
| 3.3 Narrative Indeterrninacy | 第41-43页 |
| Chapter Four Deconstruction of the Traditional War Narrative | 第43-52页 |
| 4.1 Changing Concept of the Hero in Literary Works | 第43-44页 |
| 4.2 The Anti-Hero | 第44-46页 |
| 4.3 The Vagueness of "Enemy" | 第46-48页 |
| 4.4 Loss of Climax and Narrative Space | 第48-49页 |
| 4.5 Purpose of Deconstructing the Traditional War Narrative | 第49-52页 |
| Conclusion | 第52-55页 |
| Bibliography | 第55-57页 |
