ACKNOWLEDGEMENTS | 第5-6页 |
ABSTRACT | 第6-7页 |
摘要 | 第8-11页 |
CHAPTER ONE GENERAL INTRODUCTION | 第11-20页 |
1.1 Significance of the Research and Thesis Statement | 第11-13页 |
1.2 Literature Review | 第13-16页 |
1.3 Theoretical Framework | 第16-20页 |
CHAPTER TWO POSTMODERN TECHNIQUES IN DESDEMONA AND DRIVE: THE DECONSTRUCTION OF PATRIACHAL GENDER RELATIONSHIP | 第20-34页 |
2.1 Pastiche as the Postmodern Technique to Deconstruct the Conventional Gender Relationship | 第21-27页 |
2.1.1 Race, Sex, Prostitution and Adultery, Christianity in Desdemona: | 第22-24页 |
2.1.2 Trauma, Pedophilia, Sex, Growing-up, Forgiveness in Drive: | 第24-26页 |
2.1.3 Take, Jump cut, No Blackout in the Scene in Desdemona: | 第26页 |
2.1.4 Greek Chorus, Pantomime, Nonlinear Narrative and Fragmented Stories in Drive | 第26-27页 |
2.2 Ambiguity as the Postmodern Technique to Break the Strict Distinction Between Different Genders | 第27-32页 |
2.2.1 The Prostitution Activity, the Social Class Line and the Ending inDesdemona | 第28-29页 |
2.2.2 Harm and Benefit, Love and Hatred in Drive | 第29-30页 |
2.2.3 Gender Roles in Desdemona and Drive | 第30-32页 |
2.3 Conclusion: the Deconstruction of the Patriarchal Gender Relationship | 第32-34页 |
CHAPTER THREE THE TRANSITION FROM THE PATRIARCHAL GENDER RELATIONSHIP TO THE POSTMODERN GENDER RELATIONSHIP | 第34-41页 |
3.1 Othello and Desdemona | 第35-36页 |
3.2 Lolita and Drive | 第36-39页 |
3.3 Desdemona and Drive | 第39-41页 |
CHAPTER FOUR RECONSTRUCTION OF GENDER RELATIONSHIPS BETWEEN DESDEMONA AND DRIVE | 第41-56页 |
4.1 Construction of Female and Male Characters | 第42-48页 |
4.1.1 Desdemona, Bianca, Emilia and Othello in Desdemona | 第43-45页 |
4.1.2 Li‘l Bit and Uncle Peck in Drive | 第45-48页 |
4.2 Postmodern Gender Relationship Constructed Between the Two Plays | 第48-53页 |
4.2.1 Reconstructed Ambiguous Gender Relationship | 第49-51页 |
4.2.2 Certainty in the Ambiguous Gender Relationship | 第51-53页 |
4.3 Conclusion | 第53-56页 |
CHAPTER FIVE CONCLUSION | 第56-58页 |
WORKS CITED | 第58-61页 |