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保拉·沃格尔两部戏剧作品中的性别关系后现代性分析

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-11页
CHAPTER ONE GENERAL INTRODUCTION第11-20页
    1.1 Significance of the Research and Thesis Statement第11-13页
    1.2 Literature Review第13-16页
    1.3 Theoretical Framework第16-20页
CHAPTER TWO POSTMODERN TECHNIQUES IN DESDEMONA AND DRIVE: THE DECONSTRUCTION OF PATRIACHAL GENDER RELATIONSHIP第20-34页
    2.1 Pastiche as the Postmodern Technique to Deconstruct the Conventional Gender Relationship第21-27页
        2.1.1 Race, Sex, Prostitution and Adultery, Christianity in Desdemona:第22-24页
        2.1.2 Trauma, Pedophilia, Sex, Growing-up, Forgiveness in Drive:第24-26页
        2.1.3 Take, Jump cut, No Blackout in the Scene in Desdemona:第26页
        2.1.4 Greek Chorus, Pantomime, Nonlinear Narrative and Fragmented Stories in Drive第26-27页
    2.2 Ambiguity as the Postmodern Technique to Break the Strict Distinction Between Different Genders第27-32页
        2.2.1 The Prostitution Activity, the Social Class Line and the Ending inDesdemona第28-29页
        2.2.2 Harm and Benefit, Love and Hatred in Drive第29-30页
        2.2.3 Gender Roles in Desdemona and Drive第30-32页
    2.3 Conclusion: the Deconstruction of the Patriarchal Gender Relationship第32-34页
CHAPTER THREE THE TRANSITION FROM THE PATRIARCHAL GENDER RELATIONSHIP TO THE POSTMODERN GENDER RELATIONSHIP第34-41页
    3.1 Othello and Desdemona第35-36页
    3.2 Lolita and Drive第36-39页
    3.3 Desdemona and Drive第39-41页
CHAPTER FOUR RECONSTRUCTION OF GENDER RELATIONSHIPS BETWEEN DESDEMONA AND DRIVE第41-56页
    4.1 Construction of Female and Male Characters第42-48页
        4.1.1 Desdemona, Bianca, Emilia and Othello in Desdemona第43-45页
        4.1.2 Li‘l Bit and Uncle Peck in Drive第45-48页
    4.2 Postmodern Gender Relationship Constructed Between the Two Plays第48-53页
        4.2.1 Reconstructed Ambiguous Gender Relationship第49-51页
        4.2.2 Certainty in the Ambiguous Gender Relationship第51-53页
    4.3 Conclusion第53-56页
CHAPTER FIVE CONCLUSION第56-58页
WORKS CITED第58-61页

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