| 英文摘要 | 第1-6页 |
| 摘要 | 第6-10页 |
| Introduction | 第10-12页 |
| Chapter One Authenticity, FID and MHK's TM | 第12-39页 |
| ·The Authenticity Complex: TM and FID | 第12-16页 |
| ·Authenticity Complex | 第12-14页 |
| ·The Authentic Voices: MHK's Trilogy, TM and FID | 第14-16页 |
| ·A Tour with FID | 第16-39页 |
| ·Diegesis/Mimesis Hypothesis & Character Speech and Thought Presentation | 第16-24页 |
| ·Recognizing FID: Linguistic Register and Narrative Context | 第24-33页 |
| ·FID and Dual Voice: Establishment and Dissenting Voice | 第33-36页 |
| ·The Evaluative Function of FID: Irony, Empathy, and More | 第36-39页 |
| Chapter Two Monkey Fights Kuan Yin | 第39-48页 |
| ·Dual Voice Play in TM: The Obnoxious Wittman and the Trickster Narrator | 第39-44页 |
| ·Monkey Fights Kuan Yin: Character Independence | 第40-41页 |
| ·Goddess and the Obnoxious Wittman: Style Difference | 第41-42页 |
| ·Thematic Complexity | 第42-44页 |
| ·The Trickster Narrator and Her Strategies of Voice Play | 第44-48页 |
| Chapter Three FID and Wittman's Artistic Evolution | 第48-70页 |
| ·Presence and Absence of FID | 第48-50页 |
| ·Tracing FID: Voices between the Lines | 第50-59页 |
| ·Wittman's Artistic Evolution | 第59-70页 |
| ·Wittman's Artistic Evolution, Theatre, and Community | 第59-61页 |
| ·From FID to Wittman's Artistic Evolution: A Trip towards Multivocality | 第61-70页 |
| Conclusion | 第70-72页 |
| Bibliography | 第72-76页 |
| Acknowledgment | 第76页 |
