| Abstract in Chinese | 第1-6页 |
| Abstract in English | 第6-11页 |
| Introduction | 第11-15页 |
| Chapter One Walker and Black Women's Artistic Creativity | 第15-35页 |
| ·Devaluation of Black Women's Artistic Creativity in Art History | 第15-21页 |
| ·Canon and its Hierarchies | 第15-17页 |
| ·Devaluation of Women's Artistic Creativity | 第17-18页 |
| ·Devaluation of Black Women's Artistic Creativity | 第18-21页 |
| ·Feminist Approaches to Art History | 第21-28页 |
| ·The Dinner Party | 第22-25页 |
| ·Three Feminist Approaches to Art History | 第25-28页 |
| ·Walker's Discovery of Black Women's Artistic Creativity | 第28-35页 |
| ·Womanism | 第29-32页 |
| ·Walker's Discovery | 第32-35页 |
| Chapter Two Gardening in "In Search of Our Mothers' Gardens" | 第35-45页 |
| ·Gardens Magnificent with Creativity | 第35-38页 |
| ·Spirituality in Blossom | 第38-40页 |
| ·Matrilineage of Creativity | 第40-45页 |
| Chapter Three Quilting in "Everyday Use" | 第45-52页 |
| ·Quilts as Creative Heritage | 第45-48页 |
| ·Lives Recorded in Cloth | 第48-49页 |
| ·"Continual Renewal" vs. "Nostalgic Appreciation" | 第49-52页 |
| Chapter Four Sewing in The Color Purple | 第52-60页 |
| ·Sewing as an Outlet for Originality | 第52-54页 |
| ·Reconstruction through Needle and Thread | 第54-57页 |
| ·Human Bond Created by Sewing | 第57-60页 |
| Conclusion | 第60-62页 |
| Bibliography | 第62-67页 |
| Acknowledgements | 第67页 |
