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《奥兰多》中男性气质分析

摘要第7-8页
Abstract第8-9页
Introduction第10-17页
    0.1 Woolf's Achievements and Craziness第10页
    0.2 Androgyne and Orlando第10-13页
    0.3 Literature Review第13-17页
Chapter One Theoretical Foundation第17-36页
    1.1 Gender Theory Put Forward by Pioneers in 20th Century第18-25页
    1.2 Masculinity Theory Put Forward by Connell第25-36页
        1.2.1 Post-structuralism and Gender Performativity第28-30页
        1.2.2 Gender defined by Connell第30-33页
        1.2.3 Masculinity defined by Connell第33-36页
Chapter Two Orlando's Masculinity Formed by Gender Relations第36-52页
    2.1 Masculinity Formed by Power Relations:Queen Elisabeth第36-38页
    2.2 Masculinity Formed by Symbolic Relations:Cloth and Location第38-42页
    2.3 Masculinity Formed by Emotional Relations第42-52页
        2.3.1 Russia Princess Sasha第44-45页
        2.3.2 Romanian Archduke Harry第45-48页
        2.3.3 Sex Worker: Nell第48-49页
        2.3.4 Masculine and Feminine Captain:Shelmerdine第49-52页
Chapter Three Orlando's Masculinity Formed by Gender Practice第52-59页
    3.1 Gender Practice before Trans Gendering第52-55页
    3.2 Gender Practice after Trans Gendering第55-59页
        3.2.1 Writing in Constantinople第55-56页
        3.2.2 Writing in England第56-59页
Chapter Four Masculinity Change under the Interaction Between Gender Practice and Relations第59-63页
    4.1 The Impact of Gender Relations on Gender Practice第59-61页
    4.2 The Impact of Gender Practice on Relations第61-63页
Conclusion第63-66页
Bibliography第66-69页
攻读硕士期间所发表的学术论文第69-71页
Acknowledgements第71页

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