摘要 | 第7-8页 |
Abstract | 第8-9页 |
Introduction | 第10-17页 |
0.1 Woolf's Achievements and Craziness | 第10页 |
0.2 Androgyne and Orlando | 第10-13页 |
0.3 Literature Review | 第13-17页 |
Chapter One Theoretical Foundation | 第17-36页 |
1.1 Gender Theory Put Forward by Pioneers in 20th Century | 第18-25页 |
1.2 Masculinity Theory Put Forward by Connell | 第25-36页 |
1.2.1 Post-structuralism and Gender Performativity | 第28-30页 |
1.2.2 Gender defined by Connell | 第30-33页 |
1.2.3 Masculinity defined by Connell | 第33-36页 |
Chapter Two Orlando's Masculinity Formed by Gender Relations | 第36-52页 |
2.1 Masculinity Formed by Power Relations:Queen Elisabeth | 第36-38页 |
2.2 Masculinity Formed by Symbolic Relations:Cloth and Location | 第38-42页 |
2.3 Masculinity Formed by Emotional Relations | 第42-52页 |
2.3.1 Russia Princess Sasha | 第44-45页 |
2.3.2 Romanian Archduke Harry | 第45-48页 |
2.3.3 Sex Worker: Nell | 第48-49页 |
2.3.4 Masculine and Feminine Captain:Shelmerdine | 第49-52页 |
Chapter Three Orlando's Masculinity Formed by Gender Practice | 第52-59页 |
3.1 Gender Practice before Trans Gendering | 第52-55页 |
3.2 Gender Practice after Trans Gendering | 第55-59页 |
3.2.1 Writing in Constantinople | 第55-56页 |
3.2.2 Writing in England | 第56-59页 |
Chapter Four Masculinity Change under the Interaction Between Gender Practice and Relations | 第59-63页 |
4.1 The Impact of Gender Relations on Gender Practice | 第59-61页 |
4.2 The Impact of Gender Practice on Relations | 第61-63页 |
Conclusion | 第63-66页 |
Bibliography | 第66-69页 |
攻读硕士期间所发表的学术论文 | 第69-71页 |
Acknowledgements | 第71页 |